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Negrified America

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NegrifiedAmericaTranslated by G. A. Malvicini

Not long ago, the newspapers announced that according to some calculations, by 1970 half of the population of Manhattan will be black, and that in the five boroughs that make up the entire city of New York, 28 percent of the inhabitants will be of colored race. Developments in the same direction have been registered in other cities and areas of the United States. We are witnessing a negrification, a mongrelization, and a decline of the white race in the face of faster-breeding inferior races. 

Of course, from the point of view of democracy, there is nothing wrong with that, on the contrary. We are all acquainted with the zeal and intransigence of American proponents of so-called “racial integration,” which can only further speed the process. They not only advocate complete interracial social fraternization and want the Negro to have free access to any public and political office (so that we may even expect, in the future, a black president of the United States), but also have no objection to Negroes mixing their blood with that of white Americans. A characteristic example of propaganda for this agenda is the play entitled “Deep Are the Roots” (in other words: of racial “prejudice”), which Italian radio has felt the need to subject us to more than once.

The “integrationists” who draw these conclusions – as logical as they are aberrant – from the dogma of egalitarian democracy, and who, while talking at full blast about freedom, are in fact advocating a truly coercive system (1), are still opposed, especially in the South, by certain groups that have no intention of giving a green light to the advance of the black race and the “negrification” of their country. However, these latter groups fail to realize the extent of the phenomenon, in the sense that they only notice it in its most material and tangible form. They fail to see the extent to which America is “negrified” not only racially and demographically, but above all in its civilization, in the behavior, and tastes of Americans, even when there has been no actual mixing with negro blood.

Obamas

The US has been compared, not without justification, to a melting-pot. It actually presents us with a case in which a human type was formed, with characteristics that are to a large extent uniform and constant, from out of a highly heterogeneous raw material. Emigrating to America, men of the most diverse peoples receive the same imprint; after two generations, except in rare cases, they lose almost all of their original characteristics, reproducing a fairly homogeneous unit in terms of mentality, sensibility, and behavior: the American type.

In this regard, theories such as those formulated by Frobenius and Spengler, who have asserted that there is a close relationship between the forms of a given culture and a kind of “soul” bound to the natural environment, to the “landscape” and the original population, do not seem applicable. Otherwise, an essential part of American culture would have been possessed by the indigenous element, which consists of Amerindians, the redskins. The red Indians were proud races with their own style, their own dignity, sensibility and forms of religiosity; not without justification, a traditionalist writer, F. Schuon, spoke of the presence in their being, of something “aquiline and solar.” And we will not hesitate to assert that had it been their spirit that to an appreciable extent had imbued – in its best aspects and on an appropriate plane – the human material thrown into the “American melting pot,” the level of American civilization would probably be higher.[2]

Instead, besides its Puritan-Protestant component (which, in turn, as a result of its fetishistic emphasis on the Old Testament, possesses many judaized, degenerate traits), it seems that it is precisely the negro element, in its primitivism, that has set the tone in important aspects of the American psyche. It is already characteristic that when speaking of American folklore, it is to the Negroes one is referring, as if they were the original inhabitants of the country. Thus, the famous Porgy and Bess by the Jew Gershwin, which deals exclusively with blacks, is considered in the US to be a classic work inspired by “American folklore.” The composer has declared that he lived for some time among American blacks in preparation for this work.

But the phenomenon of popular and dance music is even more conspicuous and general. Fitzgerald was not wrong when he said that in one of its main aspects, American civilization can be called a civilization of jazz, i.e., of a negrified music and dance. In this domain, very singular “elective affinities” have led America, by way of a process of regression and primitivization, to imitate the Negroes. Assuming there would be a need for frenzied rhythms and forms as a legitimate compensation for the mechanical and materialistic soullessness of modern civilization, one would have done much better to look to the many sources available in Europe: we have elsewhere mentioned, for example, the dance rhythms of South Eastern Europe, which often have something truly Dionysian. But America has chosen to imitate the blacks and the Afro-Cubans, and then from America the contagion has gradually spread to all other countries.

The Negro component of the American psyche was already noticed, in his time, by the psychoanalyst C. G. Jung. A few of his observations are worth quoting:

Another thing that struck me [in the American] was the great influence of the Negro, a psychological influence naturally, not due to the mixing of blood. The emotional way an American expresses himself, especially the way he laughs, can best be studied in the illustrated supplements of the American papers; the inimitable Teddy Roosevelt laugh is found in its primordial form in the American Negro. The peculiar walk with loose joints, or the swinging of the hips so frequently observed in Americans, also comes from the Negro.[3] American music draws its main inspiration from the Negro, and so does the dance. The expression of religious feeling, the revival meetings, the Holy Rollers and other abnormalities are strongly influenced by the Negro. The vivacity of the average American, which shows itself not only at baseball games but quite particularly in his extraordinary love of talking – the ceaseless gabble of American papers is an eloquent example of this – is scarcely to be derived from his Germanic forefathers, but is far more like the chattering of a Negro village. The almost total lack of privacy and the all-devouring mass sociability remind one of primitive life in open huts, where there is complete identity with all members of the tribe.

The passage continues along the same lines, and Jung ends up wondering if the inhabitants of the new continent could still be considered to be Europeans. But his observations can be further developed.

The brutality that unquestionably is a characteristic of Americans can well be said to have a negro character. In the happy days of what Eisenhower was not ashamed to call the “Crusade in Europe,” as well as in the early days of the occupation, we had the occasion to observe the typical forms of that brutality, but we also saw that at times, American “whites” went even farther in this respect than their negro comrades, whose infantilism, however, they often shared.

Generally speaking, the taste for brutality now seems to be ingrained in the American mindset. It is true that the most brutal of all sports, boxing, originated in England, but it is in the United States that its most aberrant forms have developed, and it is there that it has become the object of a collective obsession, soon transmitted to other nations. Concerning the taste for getting into fights and coming to blows in the most savage manner it is enough, though, to consider the greater part of American films and popular detective stories: vulgar fist-fighting is a constant theme, evidently because it corresponds to the tastes of American audiences and readers, for whom it seems to be the symbol of true masculinity. America, the world leader, has, on the other hand, more than any other nation relegated the traditional duel to the status of ridiculous European antiquated rubbish. The duel is a method of settling disputes, following strict rules, without resorting to the primitive brute force of the mere arm and fist. There is no need to point out the striking contrast between this American trait and the ideal behavior of the English gentleman, despite the fact that the English made up a component of the original people of the United States.

Modern Western man, to a large extent a regressive type, is in various respects comparable to a crustacean; he is as “hard” on the outside – as a man of action, as an unscrupulous entrepreneur, as an organizer, and so forth – as he is “soft” and formless in his internal substance. Now, this is true to the highest degree of Americans, who represent the degenerate Western type carried to the extreme. But here we find another of their affinities with the Negro. Inconsistent sentimentality, banal pathos, especially in love affairs, put Americans much closer to Negroes than to truly civilized Europeans. Of this, observers can easily find clear evidence in a number of typical American novels and again, songs, as well as in cinema and everyday life.

That American eroticism is as pandemic as it is – technically speaking – primitive, has also been deplored by American girls and women. Which brings us to yet another convergence with what is characteristic of the negro races, in which the at times obsessive part always played by eroticism and sexuality is associated with primitivism; thus, these races – unlike orientals, the ancient Western world and certain other peoples – have never known an ars amatoria worthy of the name. The much-vaunted high sexual performance of Negroes is really only of a crudely quantitative priapic character.

Another obvious aspect of American primitivism concerns the concept of “bigness.” Werner Sombart has successfully put his finger on it in saying that “they mistake bigness for greatness.” Now, this trait is not found in all non-European peoples or peoples of color. For example, an authentic Arab of the old race, a redskin, an East Asian are not overly impressed by merely material, quantitative, ostentatious size, including that related to machinery, technology and the economy (apart, of course, from already Europeanized individuals). It is a trait found only in truly primitive and childish races like the Negro. It is no exaggeration to assert that the foolish pride of Americans in spectacular “bigness,” in the “achievements” of their civilization, reek of the Negro psyche.

Here, we ought to mention the oft-repeated nonsense about Americans being a “young race,” with the tacit corollary that they are the race of the future. It is true that a myopic gaze easily mistakes regressive infantilism for true youth. Strictly speaking, according to the traditional conception, this perspective must be inverted. Despite appearances, recent peoples, since they came last, are the most removed from their origins, and as such must be considered to be the most senile and decadent peoples. This view, moreover, corresponds to the organic world.[4]. It explains how paradoxically, the similarities of supposedly “young” peoples, in the above sense of late-comers, with genuinely primitive races that have remained outside of world history, and explains the taste for primitivism and the return to primitivism. We have already remarked upon the American predilection, from an elective affinity, for Negro and sub-tropical music; but the same phenomenon is apparent in other domains of more recent culture and art. We could consider, for example, the glorification of “négritude” by existentialists, intellectuals, and “progressive” artists in France.

It follows that Europeans, including the imitators of the higher non-European civilizations, demonstrate, in turn, the same primitive and provincial mentality when they admire America, when they let themselves be impressed by America, when they stupidly allow themselves to be Americanized and enthusiastically believe that this means catching up with the march of progress, and that it is a sign of being liberated and open-minded.

This “catching up” includes the social and cultural “integration” of the negro, which is spreading in Europe itself and even in Italy, and promoted through the subliminal effects of imported films (where blacks and whites are shown mixing in social functions, as judges, police officers, lawyers, etc.) and television, in spectacles showing black dancers and singers mixed up with white ones, so that the general public is gradually accustomed to interracial fraternization and loses every remaining natural sense of race and every feeling of distance. The hysteria caused by the shapeless, screaming mass of flesh that is the negress Ella Fitzgerald during her performances in Italy is a phenomenon that is as sad as it is indicative. As is the fact that the most blatant glorification of negro “culture,” of négritude, comes from a German, Janheinz Jahn, in a book published by Munti, a venerable old publishing house in Germany (the homeland of Aryan racism!). A well-known left-wing Italian publisher, Einaudi, was quick to spread it in our country as well, in a translation in two editions. This ranting book goes to the point of claiming that negro “culture” would be a excellent means of reviving and restoring the “materialistic civilization” of the West . . .

Regarding the elective affinities of Americans, we would like to refer to one more point. If in the United States of America there was one thing that seemed to be positive and present some sort of hope, it was the phenomenon of a new generation that had championed a kind of rebellious, anarchistic, nihilistic, and anti-conformist existentialism: the so-called Beat generation, the Beats, the hipsters and the like, which we will discuss more elsewhere. Well, fraternizing with blacks and a veritable religion of negro jazz, deliberate race-mixing, including white women having sexual relations with Negroes, are a characteristic aspect of this movement. In a well-known essay, Norman Mailer, who was one of its main exponents, actually established a kind of equivalence between the negro and the human type of the generation in question, even defining the latter as a “white negro.” Very rightly, Fausto Gianfranceschi has written in this regard: “There is a parallel to the fascination exerted by negro ‘culture,’ in the terms described by Mailer, in the effect of the message of Friedrich Nietzsche at the turn of the century. The starting point is the same concern with shattering fossilized conformity through the immediate awareness of vital and existential facts; but what confusion, what degradation, if the negro, as seen today with jazz and the sexual orgasm, is placed on the pedestal of the ‘Superman’!”[5]

Pour la bonne bouche, we will conclude with a significant statement by a far from superficial American author, James Burnham (in The Struggle for the World): “There is in American life a strain of callow brutality. This betrays itself no less in the lynching and gangsterism at home than in the arrogance and hooliganism of soldiers or tourists abroad. The provincialism of the American mind expresses itself in a lack of sensitivity toward other peoples and other cultures. There is in many Americans an ignorant contempt for ideas and tradition and history, a complacency with the trifles of merely material triumph. Who, listening a few hours to the American radio, could repress a shudder if he thought that the price of survival [of a non-communist society] would be the Americanization of the world?” And unfortunately, to a certain extent, this is already happening.

Notes

1. Forced “integration” is a blatant violation of the principle of freedom, and that violation is only secondarily a matter of ”race.” No family has ever been denied the right not to welcome strangers it dislikes into its home or to stay apart from them (whatever the reason may be for such an dislike); but fraternization with Negroes in public life is imposed — ironically in the name of liberty, of a freedom that is unilateral. So-called segregation — apartheid — is deplored, even though it is the only reasonable system, and one that harms nobody: let each everyone remain in their own realm, among their own. It is unbelievable what “progress” has brought about in the degenerate white race: the British, who until recently were extreme practical racists, to the point of believing that beyond the English Channel, there dwelled what was almost a different humanity, and in their colonies to haughtily hold themselves apart from even “colored” representatives of ancient civilizations superior to their own (India, China, etc.), have at the time of this writing, as a result of the “anti-colonialist” infatuation, forced their compatriots in Rhodesia to secede from the Commonwealth, applying sanctions against them because they refuse to yield to the imposition of granting the  equal and indiscriminate democratic vote to the mass of the black population, which would have forced them out of the land that had been civilized only by them.

As for the US, if it is indeed the case, as some claim, that a guilt complex for the wrongs done to blacks in the former regime of slavery are the motive of the “anti-segregationists” — as if all the blood shed by whites in the fratricidal civil war (officially fought for the freedom of the blacks) were not enough — why do they not request that one of the fifty states of the Union be emptied and ceded, so that all American blacks could be moved there, allowing them to rule themselves and do whatever they want without bothering or contaminating anyone? That would be the best solution.

2. A man of letters with intellectual pretensions, Salvatore Quasimodo, has deplored the “racist” ideas expounded here, and has accused us, among other things, of self-contradiction, because while we are against Negroes, we nonetheless respect Amerindians. He has no suspicion of the fact that a “healthy racism” has nothing to do with the prejudice of “white skin”; it is essentially a matter of a hierarchy of values, according to which we say “no” to Negroes, to all that pertains to them and to all Negro contamination (the Negro races, in this hierarchy, are just above Australian primitives, and according to a well-known morphology correspond mainly to the type of “nocturnal” and “telluric” races, as opposed to the “diurnal” type), while on the other hand, given what the white race has been reduced to in the age of colonial mercantilist expansion, we would certainly be willing to concede superiority over “whites” to the higher Hindu, Chinese, and Japanese types, and to some Arabs strains, despite the fact that they do not have white skin.

3. One may add the absolutely Negro character of the movements of American comedians and varieté dancers.

4. Of course, here only one aspect of Nietzscheanism is taken into consideration. The degree of confusion that reigned in American existentialism can be seen in the fact that while on the one hand making common cause with the Negro, on the other hand, some were attracted by the transcendence of the Far Eastern esoteric school of Zen.

Source: http://das-gletscherkreuz.tumblr.com/post/131978878122/negrified-america-by-julius-evola; first published in Julius Evola, L’arco e la clava (Milan: Scheiwiller, 1968).

 

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12 Comments

  1. Ray Symm
    Posted November 8, 2015 at 9:15 pm | Permalink

    Negroes have a higher incidence of the warrior gene on Rs4680 at 55% which predisposes them to hypnosis more-so than CEU Caucasians who have it at 25%. Bearing this in mind, the hypnotic beat of negro music may have shaped the negro race if those who most easily fell under its spell reproduced more. The way beat music pervades society today in my opinion is by facilitating impulsive consumerism. That’s partly why solemn European Christmas songs have been replaced by Jazzy Jewish department store ones (virtually all the Santa songs were written by Jews). I suppose it had to happen as it’s kind of odd to purchase a vacuum cleaner for your wife or video game involving mass murder for your son to the tune of Greensleeves or O Come O Come Emmanuel as background music. True, there are many festive songs out of pre-20th century England and elsewherein Europe but they aren’t as amenable to a beat as the 20th ones written by Jews.

    Anyway, impulse-stoking beat music would have spelled extinction for Ancient North Eurasians or Western Hunter Gatherers in their harsh ancestral ice climates and perhaps this remains true of their ancestors today in a phenotypic sense.

  2. qwerty
    Posted November 6, 2015 at 10:51 am | Permalink

    This essay, which dates from the lates 1960s, has already been translated: https://web.archive.org/web/20141108100127/http://thompkins_cariou.tripod.com/id119.html

  3. Nyklot
    Posted November 3, 2015 at 1:29 am | Permalink

    I think the comments about Evola being effete show a misunderstanding, and a lack of nuance when it comes to violence. Let us remember, he is the one that wrote The Metaphysics of War. The goal is that violence should not bring out brutality, but heroism. There is a similar concept in Buddhism where violence sometimes leads to hell, and sometimes one achieves great karmic merit for engaging in violent acts that were based upon compassion (one of the Buddha’s past lives as a ship captain called Super Compassionate). The important factor is the will and the intellect of the person who is engaged in the violent act, whether he is manifesting a brutish or heroic will. Here are some quotes from Evola.

    “The inner guideline, necessary to transfigure the ‘lesser war’ into ‘greater, holy war’ in death and triumphant resurrection, and to make contact, through heroic experience, with the transcendental root of one’s own being, is clearly stated by Krishna: “Devoting all acts to Me with your mind absorbed in the supreme spirit, free from desire and selfishness, fight without faltering” (III, 30). The terms are just as clear about the ‘purity’ of heroic action, which must be wanted for itself, beyond every contingent motivation, every passion and all gross utility. The words of the text are: “Making equal pleasure and pain, profit and loss, victory and defeat, fight for the sake of fighting; in this way you will incur no sin” (II, 38). ”

    “Obviously the spiritual orientation and the “right intention” (niya), that is, the one toward transcendence (the symbols employed to refer to transcendence are “heaven”, “paradise”, “Allah’s garden” and so on), are supposed as the foundations of jihad, lest war lose its sacred character and degenerate into a wild affair in which true heroism is replaced with reckless abandonment and what counts are the unleashed impulses of the animal nature. “

  4. Lurker
    Posted October 31, 2015 at 8:21 pm | Permalink

    Evidently, any sort of societal kineticism was proof of “negrification” to Mr. Evola. Who else could’ve known that pure European thought was nothing more than effete poise and pompous self-declaration of “civilization”?

    Thank God that pseudo-negro Charles Martel didn’t. Not that it matters nowadays, I suppose.

  5. barzun
    Posted October 31, 2015 at 8:17 am | Permalink

    While there is some truth to this -southern rednecks and Appalachians often act like negros, including martial sports, spectacle, and a cruel streak is stupid as evidence of negrification is stupid. If that were true, the Romans and the Japanese would have to described as negrified. I could go on, but Evola often doesn’t even pass the giggle test.

  6. Richard Benson
    Posted October 30, 2015 at 4:40 pm | Permalink

    Brilliant. Interesting to see him quoting F Scott Fitzgerald and Jung approvingly.

    The following selection demonstrates the total spiritual and intellectual poverty of the ‘manosphere’ morons:

    ‘The brutality that unquestionably is a characteristic of Americans can well be said to have a negro character. In the happy days of what Eisenhower was not ashamed to call the “Crusade in Europe,” as well as in the early days of the occupation, we had the occasion to observe the typical forms of that brutality, but we also saw that at times, American “whites” went even farther in this respect than their negro comrades, whose infantilism, however, they often shared.

    Generally speaking, the taste for brutality now seems to be ingrained in the American mindset. It is true that the most brutal of all sports, boxing, originated in England, but it is in the United States that its most aberrant forms have developed, and it is there that it has become the object of a collective obsession, soon transmitted to other nations. Concerning the taste for getting into fights and coming to blows in the most savage manner it is enough, though, to consider the greater part of American films and popular detective stories: vulgar fist-fighting is a constant theme, evidently because it corresponds to the tastes of American audiences and readers, for whom it seems to be the symbol of true masculinity. America, the world leader, has, on the other hand, more than any other nation relegated the traditional duel to the status of ridiculous European antiquated rubbish. The duel is a method of settling disputes, following strict rules, without resorting to the primitive brute force of the mere arm and fist. There is no need to point out the striking contrast between this American trait and the ideal behavior of the English gentleman, despite the fact that the English made up a component of the original people of the United States.

    Modern Western man, to a large extent a regressive type, is in various respects comparable to a crustacean; he is as “hard” on the outside – as a man of action, as an unscrupulous entrepreneur, as an organizer, and so forth – as he is “soft” and formless in his internal substance. Now, this is true to the highest degree of Americans, who represent the degenerate Western type carried to the extreme. But here we find another of their affinities with the Negro. Inconsistent sentimentality, banal pathos, especially in love affairs, put Americans much closer to Negroes than to truly civilized Europeans. Of this, observers can easily find clear evidence in a number of typical American novels and again, songs, as well as in cinema and everyday life.’

  7. Herr Schmidt
    Posted October 30, 2015 at 4:05 pm | Permalink

    Fascinating, Evola truly was a genius. I’d never really thought about the extent to which America has been negrified. Seems it goes much, much deeper than rap and gansta culture that started getting pushed on Millennials.

  8. Posted October 29, 2015 at 2:09 pm | Permalink

    When was this essay written?

    [T]he extent to which America is “negrified” not only racially and demographically, but above all in its civilization, in the behavior, and tastes of Americans, even when there has been no actual mixing with negro blood.

    = Popular music and sports. Anything else?

    Perhaps moral conceptions, abstractly. That is, Black Moral Superiority. Note the call for Harriet Tubman (hah) on the Ten Dollar Bill as of 2016, and the possible eventual incorporation of the writings of Dr. King into the New Testament (this has been proposed). Actually, just a glance at the news fit to print of any day of the week will yield dog whistles to Black Moral Superiority. In fact, the popular music, sports, and anything else on the surface will all flow from that. Strike the root.

    • Greg Johnson
      Posted October 29, 2015 at 2:51 pm | Permalink

      Sometime in the 1960s.

    • Capercaillie
      Posted October 29, 2015 at 4:18 pm | Permalink

      Black Moral Superiority has become essential for the new secular religion prevalent all over the West. According to this Progressive Theology, Morgan Freeman is God (Evola did not live long enough to see this), Nelson Mandela is the Son and Martin Luther King is the Holy Spirit (or is it the other way around? I’m not sure). There is also a long list of saints, martyrs and prophets to be worshipped, specially in the US, including Rosa Parks, H. Tubman and Maya Angelou.

      A very bizarre religion indeed, but you’re not allowed to disbelieve it. At least, not in public.

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