Author Archives: Francis Parker Yockey

Francis Parker Yockey

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From the Notebooks

Samuel van Hoogstraten, Still Life, 1668

Samuel van Hoogstraten, Still Life, 1668

667 words

Editor’s Note:

The following text is an excerpt from Yockey’s notes transcribed and annotated by Kerry Bolton. The style and format suggest the early 1950s.

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Thoughts Personal & Superpersonal 
On Money

Marinus_van_Reymerswale_007-The-moneychanger-and-his-wife.

Marinus van Reymerswaele, “The Moneychanger and His Wife,” 1539, Museo del Prado, Madrid

489 words

Editor’s Note:

The following text is an excerpt from a collection of unpublished notes entitled “Thoughts Personal and Superpersonal,” transcribed and annotated by Kerry Bolton. The title of the selection is mine.

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Thoughts Personal & Superpersonal 
Prussianism & Americanism

980 words

brandenburgEditor’s Note:

The following text is an excerpt from a collection of unpublished notes entitled “Thoughts Personal and Superpersonal,”  Read more …

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Thoughts Personal & Superpersonal 
Knowledge & Skepticism

Rembrandt, "Two Philosophers in Conversation," 1628

Rembrandt, “Two Philosophers in Conversation,” 1628

701 words

Editor’s Note:

The following text is an excerpt from a collection of unpublished notes entitled “Thoughts Personal and Superpersonal,” transcribed by Kerry Bolton. The title of the selection is mine.

The three forms of knowledge as the three forms of Causality-Principle.

  • Superstition—remote causality;
  • Religion—divine causality;
  • Science—profane causality.

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Thoughts Personal & Superpersonal (Excerpt)

Jean Delville, "Prometheus," 1907

Jean Delville, “Prometheus,” 1907

2,005 words

Edited by Kerry Bolton

No European can ever know the price, quality, and intensity of the love which a colonial brings to the history and the works of the Western culture. No matter how sensitive he is by nature, no matter how high the cultural-historical focus to which he contain and hold, the European—and I have in mind such beings as Goethe, Fichte, Carlyle, and Leonardo—must of necessity take many things for granted. The houses, the streets, the society, the universal diffusion of culture—he grows up in this atmosphere, having nothing with which to contrast it. Not only concepts, but feelings also, form themselves by polarity. Read more …

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America’s Two Ways of Waging War

5,900 words

Senator Joseph McCarthy

Senator Joseph McCarthy

Edited by Kerry Bolton

Editor’s Note:

Late in 1951 Francis Parker Yockey was approached by a member of Senator Joseph McCarthy’s staff and was asked to write the Senator a speech. This association drew the attention of the FBI. The Bureau regarded the speech as the work of Senator McCarthy, but remained uncertain about the association between McCarthy and Yockey.  Read more …

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Culture
(December 1953)

3,000 words

Edited by Kerry Bolton

Roman masks, Baths of Decius, Rome, 2nd century CE

Roman masks, Baths of Decius, Rome, 2nd century CE

Editor’s Note:

With the 1953 notes on “Culture,” Yockey develops a theme that repudiates rationalism, positivism, and other such 19th-century materialistic philosophies, presenting the post-rationalist era of History as the unfolding of a great drama that is beyond rational or scientific interpretation, Read more …

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Imperium

ImperiumFrancis Parker Yockey
Imperium
Edited by Alex Kurtagić
Foreword by Kerry Bolton
Afterword by Julius Evola
Abergele, UK: The Palingenesis Project, 2013
926 pages

Hardcover: $60

Written without notes in Ireland, and first published in 1948 under the pen name Ulick Varange, Imperium is Francis Parker Yockey’s masterpiece. Read more …

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Twentieth-Century Metaphysics

2,147 words

Edited by Kerry Bolton

Editor’s Note:

These aphorisms and notes can be dated ca. late 1945–1948, Read more …

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New in Stock! 
The Proclamation of London

Introduction by Michael O’Meara
Shamley Green: The Palingenesis Project, 2012
140 pages

hardcover: $25

In 1949, Francis Parker Yockey penned The Proclamation of London of the European Liberation Front. In it, he distills the essence of Imperium, his 600-page neo-Spenglerian magnum opus.

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