Tag Archives: anti-modernism

Heidegger: Une introduction pour les antimodernistes, Partie 4

3,158 words

English original here

10. Heidegger sur le national-socialisme

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Heidegger:
An Introduction for Anti-Modernists, Part 4

martin+heidegger+rundweg2,906 words

Part 4 of 4

French translation here

10. Heidegger on National Socialism

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Ray Bradbury, R.I.P.

4,332 words

Ray Bradbury, the writer best known for his novels The Martian Chronicles and Fahrenheit 451, as well as a hundreds of short stories, passed away on Tuesday, June 5 at the age of 91. With him we have lost not only one of America’s greatest writers, but also one of our last genuine writers.

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Heidegger:
An Introduction for Anti-Modernists, Part 3

2,707 words

Part 3 of 4

8. The Question of the Essence of Being

Heidegger concludes his etymological investigations by saying that they have clearly shown that the originary sense of Being has been occluded. For us, Being has become an empty word. Read more …

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Heidegger:
An Introduction for Anti-Modernists, Part 2

2,563 words

Part 2 of 4

6. Modernity and the Oblivion of Being

Heidegger describes this “oblivion of being” as “the spiritual fate of the West” and offers the following striking description of our present predicament:

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Heidegger:
An Introduction for Anti-Modernists, Part 1

Martin Heidegger

3,208 words

Part 1 of 4

1. What is Metaphysics?

The term “metaphysics” has been appropriated in recent years to function as a synonym for “new age” or “occult.” Read more …

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Préface éditoriale à TYR vol. 2

1,555 words

Il y a maintenant plus d’un an que le premier volume de TYR a paru. Il semble donc approprié d’utiliser l’espace ici fourni pour mieux clarifier nos objectifs, et pour répondre brièvement à diverses critiques et confusions qui ont surgi depuis le début de ce projet.

Les deux Traditions

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Préface éditoriale à TYR vol. 1

1,750 words

Le thème dominant dans la plus grande partie de l’art et de la littérature produits pendant la première moitié du XXe siècle fut l’aliénation. Les auteurs parlaient de l’« âge de l’angoisse ». Ils décriaient le règne matérialiste de la « quantité sur la qualité », l’absence de toute valeur spirituelle significative, la rupture des relations entre les sexes, la dévastation de l’environnement, la mécanisation et la spécialisation excessive de la vie urbaine, et l’impérialisme de la mono-culture collective, avec ses « valeurs » vulgaires du progrès et de l’efficacité. Read more …

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Black Metal:
Conservative Revolution in Modern Popular Culture

Franz von Stuck, “War,” c. 1894

5,603 words

Portuguese translation here

From the viewpoint of racial nationalism, the musical genre known as Black Metal is one of the most significant popular culture phenomena of the last two decades. Yet it has been seldom discussed by politically congenial scholars and commentators. Read more …

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 4

2,470 words

Part 4 of 4. Click here for all four parts.

Gudrun Brangwen, the Modern Woman

Gerald Crich is only one half of Lawrence’s portrait of the “modern individual.” The other half is Gudrun Brangwen. Of course, Birkin and Ursula are modern individuals, though in a different sense. The latter couple are both seeking some fulfilling way to live in, or in spite of, the modern world. Read more …

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 3

2,541 words

Part 3 of 4. Click here for all four parts.

Interestingly, perhaps the clearest parallels to Gerald Crich’s philosophy of life, and Lawrence’s treatment of it, are two thinkers Lawrence knew nothing about when he wrote Women in Love: Oswald Spengler and Ernst Jünger, both of whom were strongly influenced by Nietzsche.

Spengler: Faustian Man and Technology

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 2

2,248 words

Part 2 of 4. Click here for all four parts.

Gerald Crich and the Mastery of Nature

In Women in Love the coupling of industrial materialism with idealism is personified by Birkin’s friend Gerald Crich, son of the local colliery owner. Read more …

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 1

Dante Gabriel Rossetti, "The Bower Meadow," 1872

1,443 words

Part 1 of 4. Click here for all four parts.

D. H. Lawrence’s greatest novel is also his most anti-modern. Written between April and October of 1916 in Cornwall, during some of the darkest days of the First World War, Women in Love was conceived as a sequel to The Rainbow. (Both novels were brilliantly filmed by Ken Russell.) Read more …

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