Tag Archives: artistocracy

The Dark Knight

Trevor Lynch

The-Dark-Knight-poster3,987 mots

English original here

Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.

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Published: April 30, 2013 | Posted in North American New Right | Also tagged , , , , , , , , , , , , , , , , , , , , | Comments closed

Christopher Nolan’s Batman Movies:
Weaponizing Traditionalism, Transvaluing Values

Trevor Lynch

Christopher Nolan

4,936 words

Editor’s Note:

Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. Read more …

Published: July 16, 2012 | Posted in North American New Right | Also tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments closed

The Dark Knight

Trevor Lynch

3,650 words

French translation here

In my review of Christoper Nolan’s Batman Begins, I argued that the movie generates a dramatic conflict around the highest of stakes: the destruction of the modern world (epitomized by Gotham City) by the Traditionalist “League of Shadows” versus its preservation and “progressive” improvement by Batman.

Read more …

Published: September 27, 2010 | Posted in North American New Right | Also tagged , , , , , , , , , , , , , , , , , , , , , | Comments closed

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