Tag Archives: Blacks in America

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Revisiting Tom Wolfe’s Radical Chic (1970)

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I stopped reading contemporary literature—works by living novelists and short story writers—when I was in my late teens or early twenties. I found it aesthetically and intellectually unrewarding. The sole exception was the work of journalist-turned-novelist Tom Wolfe, the Virginia-born, New York City-based founder and exponent of New Journalism, a type of feature reporting employing literary techniques.  Read more …

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Let’s Talk About Missouri

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“Whites are to blame.” Say it with a straight face.

“Whites are to blame.” Say it with a straight face.

Ordinary whites have some sacred cows, among them Jews, schools, the military, and cops. These individuals and institutions can do no wrong. White support for them is blind and unreasoning—at least until some unlucky soul is singled out as “racist,” “anti-Semitic,” or, possibly, “homophobic.” The true beliefs of the victim are then irrelevant. He becomes a totem, a hate object. Read more …

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Get Out

If white people had a country of our own, this wouldn't be happening.

If white people had a country of our own, this wouldn’t be happening.

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The riots and shooting in Missouri are now the trending topic for peak viewers in the Right demographic subgroup, and once again Americans can sit back comfortably with some kind of snack substance, pop open a carbonated beverage, and wait for the latest wave of destruction from Third World inhabitants in full HD.  Read more …

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The Case for Skepticism About Martin Luther King

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Editor’s Note:

I commemorate MLK Day by taking the trash to the curb, just like any other Monday. This year, however, I also wish to draw your attention to this classic essay by Kevin Alfred Strom, “The Beast as Saint: The Truth About Martin Luther King,” first given as a radio broadcast in 1994 on the nationwide program, American Dissident Voices. A German translation is here.

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Fifty Years of Cant

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mlk-dayLike the “Sharpeville massacre” in South Africa,[1] and the USA’s “Wounded Knee” confrontation between US troops and Indians,[2] the exaggerations of the authorities’ reaction to the civil rights marches and protests in the Southern states during the 1960s, led by Martin Luther King, Read more …

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Fifty Years of Cant

1,459 words

mlk-dayLike the “Sharpeville massacre” in South Africa,[1] and the USA’s “Wounded Knee” confrontation between US troops and Indians,[2] the exaggerations of the authorities’ reaction to the civil rights marches and protests in the Southern states during the 1960s, led by Martin Luther King, Read more …

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The Nigger Word

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At Counter-Currents/North American New Right, our aim is to raise the social status, intellectual rigor, and stylistic tone of racialist discourse. Thus we do not use the nigger word and other crude racial slurs.

However, although the distinction between “using” a word and merely “mentioning” it is lost on the low-IQ and the high-PC alike, Read more …

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Detroit’s Downfall . . . & Japan’s

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The most depressing thing about Detroit’s bankruptcy isn’t the hours victims wait for police responses, sprawling neighborhoods reverting back to nature, historic buildings crumbling to ruin, or the once-vanquished problems of illiteracy and sex slavery climbing out of their graves. It’s certainly not the financial quandary the city’s in, or the uncertain fate of its pensioners and employees. The most hopeless thing about Detroit is the false hope which hangs on despite reason and sanity. Read more …

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Race in the Early Films of D. W. Griffith

D. W. Grifith, January 22, 1875–July 23, 1948

D. W. Griffith, January 22, 1875–July 23, 1948

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Silent film pioneer David Wark Griffith, a native Kentuckian of Anglo-Welsh descent called by Jewish film historian Ephraim Katz “The single most important figure in the history of American film, and one of the most influential in the development of world cinema as an art,” has long been lionized in racialist circles as pro-white because of his classic The Birth of a Nation (1915). Left-wing critics, in turn, project a lurid image of the director as a sort of satanic “racist.”

I watched a number of Griffith films, including several of his early shorts, to gauge for myself how well the ideological consensus accords with fact. Read more …

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The Birth of a Nation

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Intertitle-North & South Aryan birthrightThe landmark of American motion pictures is an epic, 3-hour long, intersecting story of two white families, one Northern, one Southern, across three periods of time: the antebellum years, the Civil War, and Reconstruction.

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