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With the likes of Oswald Spengler, whose Decline he translated for an Italian readership, and Jose Ortega y Gasset, Julius Evola (1898–1974) stands as one of the notably incisive mid-Twentieth Century critics of modernity. Like Spengler and Ortega, Evola understood himself to owe a formative debt to Friedrich Nietzsche, but more forcefully than Spengler or Ortega, Evola saw the limitations – the contradictions and inconsistencies–in Nietzsche’s thinking.
Greg Johnson Interviews Mark Dyal, Part 2
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Dr. Mark Dyal is an American scholar and writer. He has an M.A. in black studies and a Ph.D. in anthropology. Read more …