The Four Horsemen of the Apocalypse is in the public domain. You can watch it here.
The Four Horsemen of the Apocalypse is best remembered today for being the film that launched the career of Rudolf Valentino. (more…)
The Four Horsemen of the Apocalypse is in the public domain. You can watch it here.
The Four Horsemen of the Apocalypse is best remembered today for being the film that launched the career of Rudolf Valentino. (more…)
The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all the more surprising given that The Searchers is a profoundly illiberal and even “racist” movie, which means that most fans esteem it grudgingly rather than unreservedly. (more…)
John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both by raising intellectually deep issues and by an emotionally powerful ending that seems to come out of nowhere. (more…)
2,144 words
Say what you want about white nationalists, they play life on the highest difficulty.
— Some leftoid on twitter dot com
If you read Leftist and conservative treatments of why people join terrorist organizations like Al-Qaeda or ISIS, you see a lot of hand-wringing about poverty, lack of education, lack of opportunity, et cetera. (more…)
9,130 words
As men and women of the Right, we are searchers for Truth. We believe that by finding Truth and living by Truth, we might know Beauty, and we might know ourselves. Essence is our mission and with it, survival. And so this essay will try to surface and then sketch three fundamental “lifeways,” (more…)
4,241 words
Frank Herbert’s Dune (1965) is one of the masterpieces of science fiction, far eclipsing its five sequels in readership and reputation. But I wish to argue that the third and fourth Dune books, Children of Dune (1976) and God Emperor of Dune (1981), are equally audacious works of the imagination. [1] Both volumes tend to be underrated, partly due to the long shadow of Dune, partly because the sheer scope of Herbert’s vision boggles the mind, (more…)
Michael Walsh
Last Stands: Why Men Fight When All is Lost
New York: Saint Martin’s Press, 2020
Last Stands is a good book. Its author, Michael Walsh, takes a look at the many examples of men fighting to the last and tries to understand their motivations. (more…)
3,469 words
3,469 words
He came from a world where soft music lilted through dining rooms and ballrooms and salons . . . it was played to make life sweeter and more festive, to make women’s eyes flash and men’s vanity throw sparks . . . [his] music on the other hand didn’t offer forgetfulness; it aroused people to the feelings of passion and guilt and demanded that [they] be truer to themselves . . . such music is upsetting . . . [1] (more…)
1,766 words
Come, you spirits
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman’s breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature’s mischief! (more…)
5,026 words
5,026 words
Known mostly as a novelist, memoirist, and historian, Aleksandr Solzhenitsyn had actually completed four plays before his first novel, One Day in the Life of Ivan Denisovich, was published in 1962. He composed his first two, Victory Celebrations and Prisoners, while a zek in the Soviet Gulag (more…)
2,248 words
No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.
— Nathaniel Hawthorne (more…)
1,719 words
1,719 words
Like most Westerners, I got to know Akira Kurosawa through his classic samurai films: Seven Samurai, Throne of Blood, The Hidden Fortress, Yojimbo, Sanjuro, Kagemusha, and Ran. Thus I was surprised to discover that fully half of his thirty films are actually set in contemporary Japan over the stretch of Kurosawa’s long lifetime (1910–1998). High and Low (1963) is one of the best of these films, along with Drunken Angel, Stray Dog, and Ikiru. (more…)
1,607 slov
English original here
Poznámka autora:
Následuje text mého projevu na první konferenci Probuzení (Awakening-konferenssin), pořádané v Helsinkách 8. dubna 2018. (more…)