Tag Archives: James J. O’Meara

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Tales of the Christos Mythos

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Kenneth Humphreys
Jesus Never Existed: An Introduction to the Ultimate Heresy
With an interview by Chip Smith
Charleston, W.V.: Nine-Banded Books, 2014

Bert Cooper: “Even if this were true, who cares? This country was built and run by men with worse stories than whatever you’ve imagined here.”[1]  Read more …

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Don Draper’s Last Diddle
The Finale of Mad Men

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Having followed Mad Men from the start, with initial enthusiasm[1] gradually tempered by the increasingly exposed triumphalist agenda,[2] I found the series finale, pumped (or pimped) by the network as “the end of an era,” Read more …

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Aristokratia III: Hellas

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Aristokratia III: Hellas
Edited by K. Deva
Manticore, 2015

Having previously devoted previous volumes to Nietzsche and to Evola, for its third incarnation, “Hellas,” Aristokratia seemingly pauses to reflect on itself: what are arête, hoi aristoi and aristokratia?

Read more …

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Lars Holger Holm on Modern Art

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Lars Holger Holm
Hiding in Broad Daylight: An Analysis of the Political Radicalisation and Commercialisation of Artistic Modernism
London: Arktos, 2015

“Charles,” said Cordelia, “Modern Art is all bosh, isn’t it?”

“Great bosh.”

Brideshead Revisited (1945)  Read more …

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“This is a shirtsleeve operation”:
Judaic Crypsis in the Final Season of Mad Men

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Caddy Danny Noonan (working-class Irish American): “I planned to go to law school after I graduated, but it looks like my folks won’t have enough money to put me through college.”

Judge Smails (rich WASP): “Well, the world needs ditch diggers, too.”

Caddyshack (Harold Ramis, 1980)

Read more …

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The First Steampunk:
H. P. Lovecraft’s The Conservative

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H. P. Lovecraft
The Conservative: The Complete Issues 1915–1923
Foreword by Alex Kurtagić
London: Arktos, 2013

Prior to the internet, or even the telephone, how fast could a written message travel from one end of Manhattan to another? Read more …

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Interview with Ann Sterzinger

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Greg Johnson talks to novelist, essayist, and publisher Ann Sterzinger. Read more …

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The BNP’s Red, White, & Blue Rosette of Horror:
Exploring the Dark, Cramped World of Politically Correct Weird Fiction

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David A. Riley
Their Cramped Dark World and Other Tales
Parallel Universe Publications, 2015

I’ve frequently hammered at the notion that “weird fiction,” like its predecessor, Gothic, is an inherently conservative genre, not only in its themes – the persistence of the past, the reality of hierarchy, the inescapability of genetics and destiny – but also in its techniques; Read more …

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Black House Rocked

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Paul Bingham and Emril Krestle
Black House Rocked
Hopeless Books, Uninc., 2015

“I’ve often wondered what happens to people when they get out of prison. People like you, I mean. Can they get jobs, do old friends rally around them? What if they never had any friends?” – Dial ‘M’ for Murder

No sooner had I hit “send” on my review of Only Lovers Left Alive,[1] Read more …

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Wild in the Streets of Sleepy London Town

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Dave Wallis
Only Lovers Left Alive
London: Anthony Blond, 1964
Richmond, Va.: Valancourt, 2015

“In those days, before the death of the last square . . .”

At some point, I suppose with Anthony Burgess’ A Clockwork Orange,[1] the “youth in trouble” genre, already fairly exploitative beneath its standard moralistic framework,[2] mutated into a “cult of youth” format, Read more …

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