“I am the most German being. I am the German spirit.”[1] — Richard Wagner
Richard Wagner (1813–1883) is today universally celebrated as the consummate exponent of nineteenth century German opera, whose developed Romantic idiom helped to usher in the musical innovations of Modernism in the early twentieth century. Read more …



































































T. S. Eliot, Part 1
Wyndham Lewis, Portrait of T. S. Eliot, 1938
5,352 words
Part 1 of 2
World War I brought to a climax a cultural crisis in Western Civilization that had been proceeding for centuries, when, in the Spenglerian sense, Money overwhelmed Tradition,[1] or, to resort even to Karl Marx, the bourgeoisie supplanted the aristocracy.[2] Industrialization accentuated the process of commercialization, with its concomitant urbanization and the disruption of organic bonds and social cohesion, which has thrown societies into a state of perpetual flux, with culture reflecting that condition. Read more …