Tag Archives: movies

Interview mit Harold Covington

5,700 words

Übersetzung durch Auzawandilaz

English original here

Können Sie uns eine kurz gefaßte Autobiografie geben und uns berichten, wie Sie in den Weißen Nationalismus involviert wurden?

Ich wurde 1953 in Burlington, North Carolina, geboren. Read more …

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Rassenvermischung:
Die Moral des Todes

2,990 words

English original here

Übersetzt von Deep Roots

Die Geschichte hat uns gelehrt, daß die grundlegendsten Notwendigkeiten für die Existenz einer gesunden und fortschrittlichen weißen Gesellschaft in der rassischen Qualität ihrer Mitglieder und in einem Moralkodex oder Wertesystem bestehen, das diese Qualität ergänzt und steigert. Read more …

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Interview de Harold Covington

6,118 words

English original here

GJ: Pourriez-vous nous donner une brève autobiographie et nous dire comment vous vous êtes impliqué dans le Nationalisme Blanc ?

Harold Covington: Je suis né à Burlington, Caroline du Nord, en 1953. J’ai reçu ma première dose de réalité raciale à l’âge de 15 ans quand on me jeta dans un lycée [racialement] intégré, à Chapel Hill, NC qui était mauvais selon les standards de l’époque (1968) mais qui bien sûr était un jardin d’enfant comparé à la situation raciale qui existe dans nos écoles aujourd’hui. Read more …

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Rassenvermischung:
Nicht mehr nur für Verlierer?

„To boldly go, where no man has gone before“: der erste interrassische Kuß des Fernsehens in „Star Trek“

1,472 words

Übersetzt von Deep Roots

English original here

Wenn die meisten Leute Weiße sehen, die mit Nichtweißen gehen, dann ist die sofortige Annahme die, daß mit dem Weißen etwas nicht stimmt. Read more …

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Race-Mixing:
Not Just for Losers Anymore?

1,459 words

German translation here

Boldly going where no man has gone before: television's first interracial kiss on "Star Trek"

When most people see whites dating non-whites, the immediate assumption is that there is something wrong with the white. Usually the defects are obvious. We know why a homely or obese white woman is sleeping with blacks or Mexicans: They are willing to overlook her faults because she is white. Read more …

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Miscegenation: The Morality of Death

3,006 words

Editor’s Note: sheaf

The following unsigned essay appeared in National Vanguard magazine, no. 117 (March–April 1997), 9–12. The pictures have been added. If you know who wrote this article, please let us know.

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The First Word:
Craig Bodeker’s A Conversation about Race

2,428 words

A Conversation about Race
A Film by Craig Bodeker
Denver: New Century Productions, 2008

When a white person awakens to our race’s peril, the first impulse–and the first duty–is to try to awaken others. But where to begin? Read more …

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Interview with Harold Covington

5,680 words

German translation here

GJ: Could you give us a brief autobiography and tell us how you became involved in White Nationalism?

Harold Covington: I was born in Burlington, North Carolina in 1953. Read more …

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A History of Violence

1,724 words

David Cronenberg’s A History of Violence (New Line Cinema, 2005) is truly a superb movie, with a tight and economical script (the whole story is told in 96 minutes), a remarkably subtle and gripping performance by Viggo Mortensen (his best ever, in my opinion), excellent performances from the rest of the cast, and an unostentatiously elegant directorial style (unmarred by the middlebrow pretentiousness and penchant for the juvenile and repulsive that ruin most of Cronenberg’s movies).

Read more …

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A Conversation with Craig Bodeker

2,866 words

GJ: In A Conversation About Race, you explain how you came to be a believer in “white guilt.” How did you come to be a disbeliever? How did you become racially-conscious?

Craig Bodeker: By traveling. From my early experiences in the American South and in Hawaii. I was able to see firsthand the differences between racially homogeneous areas — like Minnesota in the 1970s, and these more racially diverse areas. Read more …

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Palefaces:
Stephenie Meyer’s Twilight on Film

1,644 words

Catherine Hardwicke’s movie Twilight is based on the first novel of a series by Stephenie Meyer. The books mostly appeal to young women, and the advertisements for the movie screamed “chick flick,” so I gave it a pass when it was released in theaters. But I admire Joss Whedon’s series Angel, about a vampire with a soul, and when I heard that Twilight centers around a similar character, I was intrigued enough to order it on DVD.

Read more …

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