Tag Archives: popular music

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Albion’s Hidden Numina
Joy Division

CloserCover3,156 words

Joy Division left us with the most relentlessly depressing body of songs since Mahler’s Kindertotenlieder. In some ways, though, this singularity of approach, this lack of light touches to add color to the palate, is responsible for making them enduringly fascinating. Read more …

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The Barbarian & the Globalist:
Alain Daniélou on Harmonic Aggression

DanielouSacredMusic3,302 words

Alain Daniélou
Sacred Music: Its Origins, Powers, and Future — Traditional Music in Today’s World
Ed. Jean-Louis Gabin
Varanasi, India: Indica Books, 2002

“People who lose their language and their music cease to exist as a cultural and national entity and have no further contribution to make to world culture.” — Alain Daniélou  Read more …

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Re-Imagine

Milverton230 words

Millennial Woes’ “Re-Imagine” is a White Nationalist re-imagining of John Lennon’s loathsome “Communist nursery rhyme” “Imagine,” with ambient music by Xurious. Click here to listen on Soundcloud, and enjoy! Read more …

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The Music of Right Wing Death Squad Entertainment

RWDS1,874 words

There is much to be said about the inevitable rise of post-ironic Nazi hipsters.

A recent example has been the very talented musical project Right Wing Death Squad Entertainment (RWDS), which has been producing various Far-Right parodies of mainstream pop, rock, indie, etc., songs.  Read more …

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Don’t Want No Black Messiah

the_kinks-black_messiah_s1,275 words

Any tight-knit and cohesive community needs a common culture to help bind it. For us on the Alt-Right, much of this is racial and therefore political. What do most of us have in common? Well, the three biggees are that we are white, we are race-realists, and we would like to solve our current host of troubles with a white ethnostate.  Read more …

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The Enjoyment of Vulgarity

Max Ernst, "The Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard, and the Painter, 1926

Max Ernst, The Virgin Spanking the Christ Child before Three Witnesses: André Breton, Paul Eluard, and the Painter, 1926

3,285 words

Trans. G. A. Malvicini

One of the most indicative signs of the influence of the regressive processes that we have described in the preceding pages of this book [L’Arco e la Clava] with regard to customs and tastes, is the enjoyment of vulgarity, with its more or less subconscious undercurrent of pleasure taken in degradation and self-contamination. Related to it are the various expressions of a tendency towards deformation and a taste for the ugly and the base. A few observations with regard to this matter will perhaps not be devoid of interest.

Read more …

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Bowie’s Blackstar

bowie-blackstar-vice1,488 words

David Bowie
Blackstar
Columbia, 2016

Blackstar will inevitably serve as Bowie’s last will and testament whether he meant it to or not. Certainly the writing of much of the material would have preceded his awareness of his terminal illness and his confrontation with imminent death. Read more …

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David Bowie, 1947–2016
Loving the Alien

davidbowie-645x3701,506 words

It is hard to say exactly how David Bowie will be remembered, as he was defined by his ability to constantly reinvent himself, both musically and visually.  Read more …

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Nazi Barbie is Sooo Fierce!
Camille Paglia vs. Taylor Swift

Camille Paglia: To use her own words, she "thinks like a man and writes obnoxious books."

Camille Paglia, who says she “thinks like a man and writes obnoxious books.”

1,860 words

Every time you turn around, someone’s hanging another Hakenkreuz on our Tay Tay. Latest and most famous culprit is Camille Paglia, that shooting star of the 1990s critical firmament. On Thursday this acerbic counter-feminist had a piece in the Hollywood Reporter in which she denounced Taylor Swift as a “Nazi Barbie” for swanning around with equally gorgeous female celebs. Almost immediately the story was picked up by The New Republic and New York magazine, as well as the NY Post, the Daily Mail, US magazine, and lord knows where else.

Read more …

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The Metapolitics of Taylor Swift

heil-swiftler-cropped

Checking the lights in Sydney

1,719 words

It’s a big weekend for Taylor Swift. She winds up her record-breaking 1989 World Tour on Saturday, December 12, in Melbourne and reaches the ripe old age of 26 on Sunday, December 13. So now is a good time to sit back and think about what it all means.

What exactly is the significance of Taylor in pop music, modern aesthetics, and Western culture in general? Read more …

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