One of the most satisfying aspects of Morrissey’s recent drift into the populist nativist Right is the absolute butthurt from his shitlib fans. It’s glorious. They feel so betrayed. (more…)
Tag: popular music
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The Monolith Deathcult are a three-piece extreme Death Metal band formed and led by Dutch high-school history teacher, Michiel Dekker. TMDC is a one-band musical vanguard for the coming inevitable National Populist cultural explosion of the European New Right. (more…)
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Christmas is a time of hope and good cheer, and nothing has lifted my spirits more than a recent article in Billboard entitled “’Baby, It’s Cold Outside’ Heats Up On Charts After Lyrics Controversy.” (more…)
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Three years after its premiere, Lin-Manuel Miranda’s Hamilton is still running and is currently on its second national tour. The hip-hop, racially diverse reimagining of the life of Alexander Hamilton has been the object of nauseatingly fulsome praise since its premiere and has been zealously promoted by the mainstream media. (more…)
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When defenders of multiracialism, most often referred to euphemistically as multiculturalism, bring up the benefits of diversity, one of the things that tops the list is music. And within that category, jazz is most often mentioned because it is unquestionably an art form that would not have developed without the mingling of races in America. It cannot be contested by any objective historian that white, black, and Jewish musicians (and, to a far lesser extent, musicians of other races) made important contributions to the music. (more…)
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Check out three recent Greg Johnson appearances on YouTube:
With Carolyn Emerick on why cultivating civil disagreement is essential to a metapolitical movement
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‘I never felt magic crazy as this
I never saw moons knew the meaning of the sea
But now you’re here
Brighten my northern sky’ -
Soul music is said to be the preserve of the Negro, yet the later soul music of the Negro was not the preserve of the Negro, for it very often relied on Jewish production under the likes of Syd Nathan, Ralph Bass, Jerry Wexler, Jerry Leiber and Mike Stoller, and on White classical tradition and instrumentation for its orchestral arrangements. (more…)
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On Saturday February 3rd, in the company of a few friends, I attended Wardruna’s concert in New York City. This was not my first introduction to them: I’ve been using their albums as workout music for months. In case you do not know, Wardruna is a Norwegian “Nordic folk” band who have recorded three albums, and become quite popular in the politically-ambiguous “neo-heathen” scene in Europe and America. (more…)
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I recently purchased Alex Chilton’s Baton Rouge 1985 which had been released by Klondike Records late last year. Most readers, if familiar with Chilton at all, know him as the teenage leader of the Box Tops, whose 1967 hit “The Letter” rocketed them to international fame, or as the primary songwriter behind the proto-indie rock band Big Star. (more…)
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November 23, 2017 Fenek Solère
High Voltage Heptarchy, Part 3
Ethereal & EternalPart 3 of 3. Part 1 here. Part 2 here.
‘Now We Rise and We Are Everywhere’ — Nick Drake (1948-1974)
And having now evoked the legend of King Arthur, Merlin, Excalibur, and the Holy Grail, I can clearly recall driving one autumn morning down the A39 as it snaked its way through the Mendip hills. The Somerset Levels cloaked in thick fog with just the Tor floating above the ancient town of Glastonbury. (more…)
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Taylor Swift’s latest album, reputation, came out on November 10th. She has become an iconic figure for the Alt Right in recent years, so a review seems appropriate. We must tread lightly because Ms. Swift has recently been flashing her litigious claws (clause?). (more…)