Tag Archives: Quentin Tarantino

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Übersetzt von Deep Roots

English original here

Quentin Tarantinos letzter Film, Inglourious Basterds (2007), erzählt die Geschichte einer Gruppe amerikanischer Juden, die sich mit einem Nichtweißen zusammentun (einem indianisch-weißen Mischling aus Tennessee mit einem italienischen Namen wie Tarantino selbst), um während des Zweiten Weltkriegs böse weiße Männer und Frauen (Nazis) zu foltern, zu verstümmeln und abzuschlachten. Read more …

Published: February 5, 2013 | Posted in North American New Right | Also tagged Django Unchained, in German, in translation, movie reviews, North American New Right, reprints, the Jewish question, Trevor Lynch | Comments closed

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Django Unchained:
Another Jewish Wet Dream

Trevor Lynch

1,691 words

German translation here

Quentin Tarantino’s last movie, Inglourious Basterds (2007), tells the story of a group of American Jews who team up with a non-white (an Amerindian-white mix from Tennessee with an Italian name, like Tarantino himself), to torture, mutilate, and slaughter evil white men and women (Germans, Nazis) during World War II. ‘Terds, in short, is nothing but an elaborate fantasy of Jewish sadism and revenge. Read more …

Published: January 29, 2013 | Posted in North American New Right | Also tagged Blacks in America, Django Unchained, movie reviews, North American New Right, originals, Samuel L. Jackson, slavery, the Jewish question, Trevor Lynch | Comments closed

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Pulp Fiction, Part 2

Trevor Lynch

3,817 words

Part 2 of 2

Read Part 1 here

The Gold Watch

We first encounter boxer Butch Coolidge at the beginning of Part 3, “Vincent Vega and Marsellus Wallace’s Wife.” The setting is a tittie bar owned by Marsellus Wallace. Read more …

Published: July 6, 2011 | Posted in North American New Right | Also tagged Alexandre Kojève, Friedrich Nietzsche, G. W. F. Hegel, hedonism, honor, movie reviews, North American New Right, originals, philosophy, Plato, postmodernism, Pulp Fiction, Pulp Fiction review, warrior ethics | Comments closed

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Pulp Fiction

Trevor Lynch

8,353 words

Parts 1 & 2

Quentin Tarantino’s Pulp Fiction is one of my favorite movies. I didn’t want to like it. I didn’t even want to see it. Everything I’d heard made me think it would be thoroughly nihilistic and quite unpleasant. But then someone at a party described Pulp Fiction as a movie about “greatness of soul at the end of history,” and that caught my attention, Read more …

Published: June 29, 2011 | Posted in North American New Right | Also tagged Alexandre Kojève, Friedrich Nietzsche, G. W. F. Hegel, hedonism, movie reviews, North American New Right, originals, philosophy, Plato, postmodernism, Pulp Fiction, Pulp Fiction review | Comments closed

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Kill Bill: Vol. 1

Trevor Lynch

1,684 words

Kill Bill: Vol. 1 is a martial arts movie, a Samurai movie. Its music and style also pay homage to (or shamelessly rip off) Sergio Leone’s great Spaghetti Westerns. Kill Bill is also, we are told from the very beginning, the fourth opus by director Quentin Tarrantino.

Inglourious Basterds

Trevor Lynch

2,203 words

Quentin Tarantino’s Inglourious Basterds [sic, sic] has been hyped as World War II action movie-cum-sadistic gorefest. In reality, it is a self-indulgent snorefest. I thought I would need a gin and tonic before I went in, but it turns out what I needed was a cup of coffee. Yes, there is some gore and sadism, but frankly I found myself hoping for more of it. Anything, really, to relieve the sheer boredom.