Tag Archives: Richard Wagner

Wagner Bicentennial Symposium 
Remembering Richard Wagner:
May 22, 1813–February 13, 1883

bildnis_richard_wagner269 words

Richard Wagner was born 200 years ago today in Leipzig in the kingdom of Saxony. He died on February 13, 1883 in Venice. As an artist, intellectual, author, and cultural force, Wagner has left an immense metapolitical legacy, which is being evaluated and appropriated in the North American New Right’s Wagner Bicentennial Symposium, which will continue through the end of May with articles by Collin Cleary, Christopher Pankhurst, and others. Read more …

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Behind Every Great Man . . .  
Cosima Wagner, Part 2

CosmiaWagner2

Cosima Wagner by Franz von Lenbach

1,364 words

Part 2 of 3

Cosima and Richard Wagner were married on August 25, 1870, five weeks after her divorce from Hans von Bülow received final sanction, four years after Minna Planer had died of a heart attack, and seven years and three children after they first fell in love with each other.

Exactly when von Bülow came to understand the full nature of the bond between Cosima and Richard is not known, Read more …

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Wagner Bicentennial Symposium 
Rage Against the Machine:
A Very American Ring Cycle

The great Wagner Machine--Siegfried and Brunnhilde in Goetterdaemmerung

The great Wagner Machine–Siegfried and Brünnhilde in Götterdämmerung

2,427 words

It heaves and groans. It shimmies and clicks. One holds one breath during the best parts, hoping it will not malfunction and ruin the whole evening. One fears for the performers, halfway expecting it to devour them.

Read more …

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Wagner Bicentennial Symposium 
Never Surrender:
Wagner on War & Culture

Richard Wagner by Arno Breker, Haus Wahnfried, Bayreuth

Richard Wagner by Arno Breker, Bayreuth

4,743 words

Not symphonic music, but rather the shattering roar of cannon announced the birth of Richard Wagner on May 22, 1813 in Leipzig. The German kingdom of Saxony had been overrun by the French troops of Napoleon Bonaparte as he made a last-ditch effort to reassert dominance over Europe.[1]

Read more …

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Behind Every Great Man . . .  
Cosima Wagner, Part 1

Cosima and Richard Wagner

Cosima and Richard Wagner

1,500 words

Part 1 of 3

Francesca Gaetana Cosima Liszt was born on Christmas Eve, 1837. Her father was Franz Liszt, the first romantic superstar of music. In addition to being genetic sire to Cosima and her siblings, Liszt was the spiritual father of every celebrated piano virtuoso to follow, and also in a sense, the rock stars of the late 20th century. A critical difference however, was that in contrast to the ’70s silliness that chokes every scene in Ken Russell’s Lisztomania, the real Liszt genuinely was the most talented pianist of his era, Read more …

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Wagner Bicentennial Symposium 
Wagner as Metapolitical Revolutionary

richardwagnerpainting7,638 words

Karl Marx reserved a special place of contempt for those he termed “reactionists.” These comprised the alliance that was forming around his time among all classes of people, high-born and low, who aimed to return to a pre-capitalist society. These were the remnants of artisans, aristocrats, landowners, and pastors, who had seen the ravages of industrialism and money-ethics then unfolding. Read more …

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Wagner Bicentennial Symposium 
My Wagner Problem—and Ours

1,880 words

wagner-nagano“Your themes — they almost always consist of even values, of half, quarter, eighth notes; they are syncopated and tied, to be sure, but nonetheless persevere in what is often a machinelike, stamping, hammering inflexibility and inelegance. Read more …

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Wagner Bicentennial Symposium 
The Monster

Richard Wagner - New Pop Realism - Sebastian Krüger 1963 - Tutt'Art@1,717 words

He was an undersized little man, with a head too big for his body — a sickly little man. His nerves were bad. He had skin trouble. It was agony for him to wear anything next to his skin coarser than silk. And he had delusions of grandeur.  Read more …

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Wagner Bicentennial Symposium 
Evil Genius:
Constructing Wagner as Moral Pariah, Part 4

A night at the opera: Adolf Hitler with Winifred Wagner, the daughter-in-law of Richard Wagner

A night at the opera: Adolf Hitler with Winifred Wagner, the daughter-in-law of Richard Wagner

4,022 words

Part 4 of 4

Wagner and National Socialist Germany

Richard Wagner has long been reviled by Jews as the intellectual and spiritual precursor to Adolf Hitler who, according to William Shirer, once declared: “Whoever wants to understand National Socialist Germany must know Wagner.”[1] Read more …

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Wagner Bicentennial Symposium 
Evil Genius:
Constructing Wagner as Moral Pariah, Part 3

Arno Breker, Bust of Richard Wagner

Arno Breker, Bust of Richard Wagner

2,360 words

Part 3 of 4

Wagner’s Music Dramas as Coded Anti-Semitism

T. W. Adorno and Wagner biographer Robert Gutman began a modern Jewish intellectual tradition Read more …

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Wagner Bicentennial Symposium 
Evil Genius:
Constructing Wagner as Moral Pariah, Part 2

wagner-013,016 words

Part 2 of 4

Wagner’s Racial Thinking

In addition to his concern about the baleful Jewish influence on German culture, Wagner, under the influence of Darwinism and the French racial theorist Arthur de Gobineau, became increasingly concerned about the fate of the White race generally. Read more …

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Wagner Bicentennial Symposium 
Evil Genius:
Constructing Wagner as Moral Pariah, Part 1

Richard Wagner, 1813-1883

Richard Wagner, 1813–1883

4,763 words

Part 1 of 4

Richard Wagner was a one man artistic and intellectual movement whose shadow fell across all of his contemporaries and most of his successors. Other composers had influence; Wagner had a way of thinking named after him. It has been claimed that “never since Orpheus has there been a musician whose music affected so vitally the life and art of generations.”[1]  Read more …

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Hans-Jürgen Syberberg:
Leni Riefenstahl’s Heir?

syberberg153:48 / 7,483 words

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Editor’s Note:

The following text is a transcript by V. S. of a lecture by Jonathan Bowden given at the 14th New Right meeting in London on April 5, 2008. Read more …

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Bryan Magee’s The Tristan Chord

tristanchord4,085 words

Bryan Magee
The Tristan Chord: Wagner and Philosophy
New York: Metropolitan Books, 2000

Bryan Magee’s The Tristan Chord: Wagner and Philosophy (just Wagner and Philosophy in the UK) combines two of my favorite subjects into an informative, stimulating, and highly readable book. Creativity and critical reflection are two very different activities, and excellence in one is seldom accompanied by excellence in the other. Read more …

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Bryan Magee’s Aspects of Wagner

mageeaspects2,373 words

Bryan Magee
Aspects of Wagner
Oxford: Oxford University Press, 1988

In preparation for the Wagner bicentennial on May 22, I have been listening to, watching, and reading about Wagner non-stop. But one’s enjoyment of art and ideas is magnified by sharing them with others. So I am going to get you in the Wagner spirit, or drive you crazy trying, Read more …

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Call for Papers
Our Wagner

185 words

wagner-03Today is the 130th anniversary of Richard Wagner’s death in Venice. May 22, 2013 is the 200th anniversary of Wagner’s birth. To mark this occasion, Counter-Currents/North American New Right will run a symposium on “Our Wagner.” The symposium will consist of essays, reviews, poems, podcasts, and videos on Wagner’s life, work, and ongoing significance for the metapolitical project of the North American New Right and the New Right in general. Read more …

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Revolution from the Periphery:
The Lessons of Nueva Germania

Elisabeth Nietzsche, 1846–1935

5,070 words

The concept of “Revolution from the Periphery” is an important contribution to Traditionalist thought as once proud centers of culture sink ever further into decadence. The system of control deployed against whites is strengthening its grip, and “the Collapse” is still a dream. If anything, anarcho-tyranny is becoming more widespread, and the forces pushing radical egalitarianism are removing the velvet glove to reveal the mailed fist beneath.

Read more …

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Yukio Mishima & Richard Wagner:
Art & Politics, or Love & Death

The platform of this year’s “Yukoku-Ki,” November 25th, 2012, Tokyo

3,668 words

The Keynote Speech at the 42nd Yukoku-Ki in Tokyo, November 25, 2012

Translated by Riki Rei

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The Aryan Christian Religion & Politics of Richard Wagner

4,944 words

“I am the most German being. I am the German spirit.”[1] — Richard Wagner

Richard Wagner (1813–1883) is today universally celebrated as the consummate exponent of nineteenth century German opera, whose developed Romantic idiom helped to usher in the musical innovations of Modernism in the early twentieth century. Read more …

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Video of the Day
Furtwängler Conducts Wagner, 1942

time: 9:58 / 41 words

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