Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.
“Please allow me to introduce myself . . .” Heath Ledger as the Joker
1,416 words
Christopher Nolan’s Batman trilogy has proven to be a death-stalked series. Heath Ledger died under mysterious circumstances mere months before the release of The Dark Knight in 2008, Read more …
Unless you’re living in Tora Bora, you probably know that Christopher Nolan’s third Batman movie, The Dark Knight Rises, is coming out this week. Read more …
The Brave and the Bold
A Team-up comic featuring Batman and the Joker
D.C. Comics, #111, March 1974
This comic was published in 1974 by DC comics or National Periodical Publications. It retailed for twenty cents, and I bought it in the United Kingdom for eight new pence. The author was the veteran scripter Bob Haney, and it was drawn by Jim Aparo. None of the other contributors—the inker, colorist, letterer, or editor—is recorded. Read more …
In my review of Christoper Nolan’s Batman Begins, I argued that the movie generates a dramatic conflict around the highest of stakes: the destruction of the modern world (epitomized by Gotham City) by the Traditionalist “League of Shadows” versus its preservation and “progressive” improvement by Batman.
The Dark Knight
English original here
Dans ma critique du Batman Begins de Christopher Nolan, j’ai affirmé que le film génère un conflit spectaculaire autour des enjeux les plus élevés qui soient : la destruction du monde moderne (symbolisé par Gotham City) par la “Ligue des Ombres” Traditionaliste contre sa préservation et son amélioration “progressive” par Batman.
Read more …