Tag Archives: vitalism

Marxism & Satanism

1,320 words

karlmarxcard-customEdited by Alex Kurtagić 

Editor’s Note: 

The Following is an excerpt from Blood, written between April and May 1992. Read more …

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Musolliniho nový fašistický člověk

2,593 words

English original here

“Větší účast na moci znamená odlišné vědomí, cítění, odhodlanost a odlišný úhel pohledu.” Friedrich Nietzsche [1]

“Ocel mě poctivě naučila o souladu mezi duší a tělem: zdálo se mi, že slabé emoce mají za následek ochabování svalů, sentimentalita se projevuje ochabnutím žaludku a přecitlivělost má za následek přecitlivělou bledou kůži. Read more …

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Mussolini’s New Fascist Man

2,812 words

Czech translation here

“A greater degree of power corresponds to a different consciousness, feeling, desiring, a different perspectival view.” — Friedrich Nietzsche[1]

“The steel faithfully taught me the correspondence between the spirit and the body: thus feeble emotions, it seemed to me, corresponded to flaccid muscles, Read more …

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Greg Johnson Interviews Mark Dyal, Part 2

67:57 / 142 words

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Dr. Mark Dyal is an American scholar and writer. He has an M.A. in black studies and a Ph.D. in anthropology. Read more …

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Paganism & Vitalism in
Knut Hamsun & D. H. Lawrence, Part 2

Ludwig Fahrenkrog, “The Holy Fire”

1,311 words

Part 2 of 2

Translated by Greg Johnson

The Paganism of Hamsun and Lawrence

If Hamsun and Lawrence carry out their desire to return to a natural ontology by rejecting rationalist intellectualism, this also implies an in-depth contestation of the Christian message. Read more …

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Paganism & Vitalism in
Knut Hamsun & D. H. Lawrence, Part 1

Knut Hamsun

2,378 words

Part 1 of 2

Translated by Greg Johnson

The Hungarian philologist Akos Doma, educated in Germany and the United States, has published a work of literary interpretation comparing the works of Knut Hamsun and D. H. Lawrence: Read more …

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A Música do Futuro

Arno Breker, "Orpheus and Eurydice"

2,833 words

English original here

Um interregnum é um tempo de máxima possibilidade. Aprumados como estamos entre o fim da velha cultura europeia e a possibilidade de uma nova e renascida cultura europeia é útil refletir um pouco sobre a direção que nossa nova cultura deve tomar. Read more …

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Musique du futur

Arno Breker : « Orphée et Eurydice »

3,096 words

English original here

Un interrègne est une époque de possibilité ultime. Positionnés comme nous le sommes entre la fin de l’ancienne culture européenne et la possibilité d’une nouvelle culture européenne renaissante, il est utile de réfléchir quelque peu à la direction que notre nouvelle culture devrait prendre. Read more …

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Music of the Future

Arno Breker, "Orpheus and Eurydice"

2,958 words

Translations: French, Portuguese

An interregnum is a time of ultimate possibility. Poised as we are between the end of the old European culture and the possibility of a new, reborn, European culture it is useful to give some thought to the direction that our new culture should take. Read more …

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The Hour of the Dragon (Conan the Conqueror), Part 4

915 words

Part 4 of 4

In our final installment we will examine the end of this novel and its denouement. The Heart of Ahriman—the foundation to resist Xaltotun’s magick—has been obtained by Conan after numerous adventures. This means that the Aquilonians do not need to fear his necromancy as they begin their final rebellion against the Nemedians—prior to expelling them from the kingdom for good.  Read more …

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The Hour of the Dragon (Conan the Conqueror), Part 3

849 words

Part 3 of 4

In our synopsis and analysis, we left Conan and Hadrathus discussing how to regain the initiative by seizing the Heart of Ahriman. Conan then heads south in the funereal barge of a follower of Asura — to make sure that he and Albiona are unmolested — and he quickly makes up the leagues necessary to visit Count Trocero’s Poitain in the deep south of Aquilonia. Read more …

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The Hour of the Dragon (Conan the Conqueror), Part 2

1,054 words

Part 2 of 4

In my previous installment, I had brought Conan up from the pits underneath the Royal palace at Belverus in Nemedia.  Read more …

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The Hour of the Dragon (Conan the Conqueror)

999 words

Part 1 of 4

Moving on from my recent review of Robert E. Howard’s “Rogues in the House,” I would like to have a look at the only full-length Conan novel, The Hour of the Dragon (sometimes known as Conan the Conqueror).

This piece again illustrates the subliminal racialism of the Howard mythos as well as providing a template for his mordant, pessimistic, and ultra-conservative views about civilization. Read more …

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 4

2,470 words

Part 4 of 4. Click here for all four parts.

Gudrun Brangwen, the Modern Woman

Gerald Crich is only one half of Lawrence’s portrait of the “modern individual.” The other half is Gudrun Brangwen. Of course, Birkin and Ursula are modern individuals, though in a different sense. The latter couple are both seeking some fulfilling way to live in, or in spite of, the modern world. Read more …

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D. H. Lawrence’s Women in Love:
Anti-Modernism in Literature, Part 3

2,541 words

Part 3 of 4. Click here for all four parts.

Interestingly, perhaps the clearest parallels to Gerald Crich’s philosophy of life, and Lawrence’s treatment of it, are two thinkers Lawrence knew nothing about when he wrote Women in Love: Oswald Spengler and Ernst Jünger, both of whom were strongly influenced by Nietzsche.

Spengler: Faustian Man and Technology

Read more …

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D. H. Lawrence’s Critique of Modernity,
Part 2

2,881 words

Part 2 of 2

2. Industrialism, the Midlands, and Lawrence’s “Socialism”

Lawrence encountered the effects of modernity—especially the Industrial Revolution—directly in his native Midlands. He saw how if affected people, generally for the worse. Read more …

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D. H. Lawrence’s Critique of Modernity,
Part 1

2,583 words

Part 1 of 2

1. The Genealogy of Modernity

The entire corpus of D. H. Lawrence’s writing is devoted to addressing the problem of life in the modern world, and his view of modernity was extraordinarily negative. Consider the following striking image Lawrence provides us with in his essay “The Novel and the Feelings”: Read more …

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