Wenn Science-Fiction typischerweise „progressiv“ und Fantasy-Literatur „rückwärtsgewandt“ ist, dann brauchen wir eine dritte Kategorie für die sechs Dune-Bücher von Frank Herbert (1920-1986) – gar nicht zu reden von George Lucas’ sechs Star Wars-Filmen –, die futuristische Sci-Fi-Elemente mit den archaischen Werten und magischen Welten der Fantasy verbinden.
Now not all the waves
of the four seas are calm,
but in the land of Yamato,
where the sun rises,
the winds are sated, men devote themselves to pleasure.
Under the virtuous rule of His Majesty
peace reigns everywhere. Read more …
If science fiction is quintessentially “progressive” and fantasy literature is “reactionary,” then we need a third category for the six Dune books by Frank Herbert (1920–1986)—not to mention George Lucas’ six Star Wars movies—which combine futuristic, sci-fi elements with the archaic values and magical universes of fantasy. Read more …
When Yukio Mishima arose on the morning of November 25th, 1970 he knew that it would be his last day on Earth. It was the deadline for completion of his novel, The Decay of the Angel, the fourth book in his tetralogy, The Sea of Fertility. He placed the completed manuscript, sealed in an envelope addressed to his publisher, on a table. Mishima had given intimations that the completion of the tetralogy would be the culmination of his life’s work. Read more …
In retrospect, Aryans appear to have harbored a naïve faith in the natural relationship between reputation, fame, and merit. True, our conceptions served us well enough in our own world. But that was prior to the Age of Defamation. Now we see that fame, reputation, and moral worth can be completely unrelated. It is child’s play for dominant, cunning, and unscrupulous elites to destroy reputations, fabricate evidence and opinions, and reverse the judgments of history—and have their constructs stick, and be universally accepted.