Tag Archives: why we write

Why I Write

1,537 words

Why do I write movie and television reviews from a White Nationalist perspective? It’s complicated.

First and foremost, I write because I love film. I think that film is the realization of Richard Wagner’s idea of the “complete work of art” Read more …

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Why I Write

Carl Spitzweg, "The Butterfly Collector," 1840

1,451 words

Editor’s Note:

The author asked me to include a note with this indicating that although his central positions as stated below are unaltered, his opinions of certain individuals, e.g., “Prozium,” have changed.

I have been asked to contribute to the “Why We Write” series. Read more …

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Why I Write

1,026 words

Several months back, I saw one of these “Why I Write” articles and resolved to write my own. I came up with several good reasons why one should write: to serve as a lightning rod around which to organize dissent, to expose my ideas to constructive criticism, to arrive at a rhetoric which is both radical and relevant, and so on. Those are all perfectly good reasons, but they’re unfortunately not my reasons. For me, writing is a compulsion, an itch that I can’t not scratch.

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Why I Write

105 words

Why I Write

I write because I could not bear the loss
Of all that makes this world worthwhile and grand:
Apollo, Odin, Vulcan, Perkanus,
Birch forests sprung from European land,
Marble arches, Doric columns, beer halls,
Vast castles perched upon the Thames and Rhine,
Blonde hair caught up in ringlets, Yuletide balls,
Maypoles, Shelley’s poems, Polish honey wine
In hive shaped bottles redolent of bees,
Van Gogh’s sunflowers in antique frames, beef
Wellington, cabbage rolls, bacon, blue cheese,
Saint George, King John, Hermanius. Belief
That such things — small or vast as each one might
Be — must not become lost . . . . is why I write.

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“One White Man’s Scream Out Across the Internet”
Why I Write

527 words

I write because I can’t stand what’s happening to whites.

It’s personal and it’s political. It’s as small as the chicken bones strewn in the gutter of the Grand Concourse in the Bronx, and it’s as big as the future of the United States and the rest of the West. It’s about the kind of world my white children will grow up in. It’s everywhere I look, so it’s no use trying to avert my eyes. I hate what I see, and I have to scream.

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Why I Write

1,639 words

I write because the future is not what it used to be.

I know, because I have lived in it. My parents had overseas jobs during the 1970s and early 80s, and, consequently, I spent part of my childhood and early teenage years in Latin America. Venezuelan schools — at least at the time — taught their students that the country’s population was racially diverse, going from White to Black, with eight shades in between. Read more …

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Why I Write

1,190 words

The most interesting thing about the writers of TOQ isn’t why we write, but why we came to write from the perspective that we have. Wanting to express oneself in print isn’t that rare. High IQ people have their journals and books while even the less intelligent have MySpace. Read more …

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Why I Write

585 words

“A cowardly man thinks he will ever live,
If warfare he avoids.
But old age will bring him no peace
Though spears may spare him.”
Havamal, “Wisdom for Wanderers and Counsel to Guests,” Verse 16

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Why I Write

1,598 words

I write because I believe my primary group — Whites of European heritage — is at extreme risk, and — for better or for worse — the most I have now to offer is my virtual pen.

I am fortunate to follow a number of my betters who have written on the question of why we write. Now I can simply repeat that with which I agree. Read more …

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Why I Write

1,370 words

I came late to the issues characteristically discussed in The Occidental Quarterly.

I had no interest in politics during my early adult years, a circumstance for which I am now grateful. Like most Americans, I assumed that “politics” meant electoral contests between hardly-distinguishable parties.

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Why I Write

penandsword1,908 words

I once naively believed that everyone thought more or less as I did and shared my basic values. Today I wonder if anyone does.

A threshold reason why I write is simply that the Good Lord granted me facility with the written word. Not with video or motion picture production, or music, or broadcasting, or entertainment, or even the spoken word, but simply with writing. Read more …

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Why I Write

Kratos 1610 words

This is always difficult to assess, but from this distance three different spear-points become discernible through the mist.

The first is an obvious desire for self-expression–yet, as always, the nihilism of Samuel Beckett needs to be avoided, where, during one part of the Trilogy, such as Molloy, he declares: nothing to express, no need to express, a blinding desire to stain the silence. I think that the aporia whereby post-modernism eats itself needs to be avoided.

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