Print this post Print this post

Twilight: Breaking Dawn, Part 2

596 words

Breaking Dawn, Part 2 is the fifth and final movie of Mormon novelist Stephenie Meyer’s phenomenally popular Twilight Saga. I think that the Twilight Saga is highly significant, because it offers a systematic argument for traditional — and biological — sexual roles and morality in the form of a Gothic teen romance story involving vampires and werewolves. (I best summarize my take on the Twilight Saga in my review of Breaking Dawn, Part 1.) I also found the movies highly entertaining.

Breaking Dawn, Part 2, however, is a major disappointment. The movie does not betray or ruin the series, mind you. It is just largely empty and unnecessary. Nor does it contain any positive, traditional messages. It is mostly just an action movie.

I read the first Twilight novel to see if the film version had replaced white characters with non-white ones, and it did. I also learned that Stephenie Meyer may be a genius at cultural subversion and quite clever at constructing characters and plots, but she is an excruciatingly bad writer. The bones of her well-constructed plots are padded with layers of literary lard and cellulite—smothering seas of jiggling, gelatinous, blowsy, bloated, swollen, soggy, premenstrual prose. And the second novel, New Moon, was even worse, so I never read beyond it.

Meyer’s novels made me appreciate the talents of screenwriter Melissa Rosenberg at flensing and rendering these blubbery books down to lean, sinewy scripts. But when the first three movie made more than two billion dollars, the producers hefted Breaking Dawn, the fattest of the four novels by far, and—cha-ching!—decided to make two movies out of it, which entailed leaving in a lot of flab. Frankly, if greed had not won out, this story could have been told in a single, two hour movie, and practically everything in the second film could have been left out.

In Part 1, Bella Swan marries her vampire love Edward Cullen. Edward insists that he will make her a vampire only after their wedding. But before her transformation, Bella becomes pregnant, which comes as a shock, because nobody knew it was possible for a vampire to sire a child. The pregnancy endangers Bella’s life, but she refuses to have an abortion. Once the baby is born, Edward transforms Bella into a vampire to prevent her from dying from childbirth.

In Part 2, Bella and Edward deal with telling Bella’s family and the undead community about their special child, before they settle down for eternal happiness. A lot of the story is surprisingly lame, and the rest could have been told in 20 minutes. Much of the movie is devoted to preparing for a battle in which the Cullens and their allies (the local werewolves and vampires from around the globe) confront the Volturi, their Italian-based elder kindred. This battle is based on a misunderstanding and never even happens in the end (a giant emotional cheat and failure of the author’s moral nerve). But it involves the introduction of a vast cast of forgettable paper-thin bit characters (many of them non-white), only to dismiss them later.

Part 2 also contains some distasteful race-mixing. Sure, Bella had a thing for Jacob Black, a local American Indian, but she ended up with a man of her own race. Now Bella’s dad has taken up with a local squaw, and it is suggested that Jacob may end up with Bella’s daughter.

Just as Star Wars fans have effectively excised The Phantom Menace from the canon, I suggest dropping Breaking Dawn, Part 2. If you haven’t seen it yet, just pretend that the Twilight Saga ends with Breaking Dawn, Part 1.



If you enjoyed this piece, and wish to encourage more like it, give a tip through Paypal. You can earmark your tip directly to the author or translator, or you can put it in a general fund. (Be sure to specify which in the "Add special instructions to seller" box at Paypal.)


  1. rhondda
    Posted November 28, 2012 at 5:10 pm | Permalink

    Sounds like the typical chick flick to me.

  2. Posted November 28, 2012 at 9:54 am | Permalink


    I just saw the movie yesterday, after much anticipation. I was actually thinking of doing a blog post about the series.

    I agree that it was a tad bit disappointing, especially the “battle” scene (my sisters cried. CRIED. when Mr. Cullen and Jasper died)- I also really hate the “misunderstanding leads to huge blowup when all you needed was to ask for an explanation” plotline that Hollywood loves to use.

    That said, and maybe this is a female perspective, I did like the scenes of Edward and Bella et al as vampires – it was cute. I was entertained the whole time.

    As far as subversion, I did find Meyer’s devotion to traditional gender roles true until the end. Note that Bella, when she becomes a vampire, has pretty much the most feminine power of all- which is the power to shield and protect. It is a passive power, instead of an active one, yet it is a power that is able to (hypothetically) save the entire coven from the Volturi attacks. It is very rare that women are shown for being worthy for feminine virtues (outside of beauty) in Hollywood.

    Lastly, Meyer is a Mormon, not a White nationalist, so I think she sees nothing wrong with Aboriginal worship (LOL those chicks from the Amazon) or race mixing- at least when it comes to secondary characters.

    The REAL story, is actually what is happening outside the scenes…apparently Kristin Stewart cheated on her real life live in bf Robert Pattinson with some director- in a VERY public way….and now he’s taken her back like some sniveling little beta. Now what would Bella say about such treachery……

    Kindle Subscription
  • EXSURGO Apparel

    Our Titles

    Confessions of a Reluctant Hater (2nd ed.)

    The Hypocrisies of Heaven

    Waking Up from the American Dream

    Green Nazis in Space!

    Truth, Justice, and a Nice White Country

    Heidegger in Chicago

    The End of an Era

    Sexual Utopia in Power

    What is a Rune? & Other Essays

    Son of Trevor Lynch's White Nationalist Guide to the Movies

    The Lightning & the Sun

    The Eldritch Evola

    Western Civilization Bites Back

    New Right vs. Old Right

    Lost Violent Souls

    Journey Late at Night: Poems and Translations

    The Non-Hindu Indians & Indian Unity

    Baader Meinhof ceramic pistol, Charles Kraaft 2013

    Jonathan Bowden as Dirty Harry

    The Lost Philosopher, Second Expanded Edition

    Trevor Lynch's A White Nationalist Guide to the Movies

    And Time Rolls On

    The Homo & the Negro

    Artists of the Right

    North American New Right, Vol. 1

    Forever and Ever

    Some Thoughts on Hitler

    Tikkun Olam and Other Poems

    Under the Nihil

    Summoning the Gods

    Hold Back This Day

    The Columbine Pilgrim

    Confessions of a Reluctant Hater

    Taking Our Own Side

    Toward the White Republic

    Distributed Titles

    Tyr, Vol. 4


    The Node


    Carl Schmitt Today

    A Sky Without Eagles

    The Way of Men

    Generation Identity

    Nietzsche's Coming God

    The Conservative

    The New Austerities

    Convergence of Catastrophes


    Proofs of a Conspiracy

    Fascism viewed from the Right

    Notes on the Third Reich

    Morning Crafts

    New Culture, New Right

    The Fourth Political Theory

    Can Life Prevail?

    The Metaphysics of War

    Fighting for the Essence

    The Arctic Home in the Vedas

    Asatru: A Native European Spirituality

    The Shock of History

    The Prison Notes

    Sex and Deviance


    On the Brink of the Abyss

    Beyond Human Rights

    A Handbook of Traditional Living

    Why We Fight

    The Problem of Democracy


    The Path of Cinnabar


    The Lost Philosopher

    Impeachment of Man

    Gold in the Furnace


    The Passing of a Profit & Other Forgotten Stories

    Revolution from Above