Print this post Print this post

J. K. Rowling & Her Fans Still Have Traditional White Views

1,172 words

With her Harry Potter series of books and later movies, British author J. K. Rowling has obviously struck a chord in the psyche of white audiences. Despite her work being throughly saturated with social justice messaging, the fundamental premises of the story are an expression of more traditional, “elitist,” and even “racist” attitudes which white populations continue to hold on some level. Try as she might, Rowling could not avoid expressing these views. This is obvious in the nature of Hogwarts and the wizarding world, as well as the various races within it.

Hogwarts is not open to everyone, but neither does it require an application. Although the Death Eaters’ desire to accept only those they consider to have purely magical bloodlines is portrayed as an ugly part of their villainous character, admission is offered based on magical ability, which is an essentially genetic trait. Although it is not guaranteed to everyone whose parents possess it, it is something which people either do or do not have, regardless of any conscious effort on their part. No attempt is made to draw representative samples of the general population as with affirmative action; the school is exclusive to a genetic elite.

Not only is Hogwarts far from an “inclusive” institution in terms of admission, its very existence is hidden from normal people. Muggles who come to learn of the existence of the magical world are required to have their memories altered. The explanation for this long-standing policy is straightforward: in earlier generations, wizards and witches were persecuted and even executed. As in much of identitarian activism today, this separation between peoples is justified in terms of survival.

Even the mechanism of sorting students into the four houses expresses an attitude towards belonging which is at odds with the modern secular individualist ethos. New students are subjected to something called the Sorting Hat at the start of the school year. This magical hat reads the students’ minds and places them into the house most in line with their character. Although Harry displays the agency to consciously reject being sorted into Slytherin House, all other students are simply told where they belong, determining in which dormitories they will live and in large part with whom they will socialize.

This entity that can know where people belong by reading their thoughts satisfies the same deep need that is expressed in Christians’ prayers for guidance from an omniscient God, as well the same need for long-term belonging which is answered by any religious community. It is at odds with the individualist attitude Albus Dumbledore makes explicit near the end of the series that it is the individual’s choices which define him. Dumbledore’s comments, though, are a conscious attempt to deliver “words of wisdom,” so they are more likely only what Rowling considers it righteous to teach young people. Her true feelings, along with those of readers, are to be found outside of this context, where she is not trying to express proper modern values.

Rubeus Hagrid is another accidental expression of a politically incorrect understanding of life. The well-meaning but somewhat simple-minded groundskeeper is by some biological miracle half-human and half-giant. This may explain his tendency not only to downplay the brutality of his giant half-brother Grawp, who is at least his co-ethnic, but also to take a strangely protective attitude towards various monstrous creatures which are at least as savage. He has a series of beasts as something like pets, even though they are dangerous and even illegal to keep, and insists that they would never hurt anyone.

The character of Hagrid gets at two un-PC issues, albeit inadvertently. First, there is the tribal tendency of many blacks to excuse their criminal co-ethnics, making laughable claims that they are innocent and are treated unfairly by the police.

Second, there is the broader tendency of modern Western white people to display an exaggerated level of sympathy for people who have little in common with them and who even openly threaten them. The discipline of criminology takes a “strangely protective” attitude towards criminals, the least sympathetic people in society, and this has persisted for decades. Similar attitudes can be seen towards “refugees” recently arrived in Europe, who despite outrageous rates of violent crime and open contempt for Western society are treated as a protected victim class.

As in a great many fantasy stories, dramatic psychological differences between races are taken for granted. Giants are large, strong, and dim-witted. Centaurs are more intelligent, but very suspicious of outsiders, proud, and easily offended. Neither have much interest in technology or civilization, both are quick to use violence, and giants are particularly inclined to kill each other in petty conflicts. In the social justice mindset these might be condemned as ignorant prejudices about Third World populations or American Indians, but readers must realize on some level that some peoples are like this.

Some of the “prejudices” portrayed are actually entirely justifiable, much like real-life stereotypes. Rather than judging a group unfairly based on a minority of individuals, wizards are for example terrified of giants based on the quite real savage and hostile behavior of giants as a group. Even Grawp, Hagrid’s runaway half-brother who is presented as a NAGALT (not all giants are like that) case, is still quite dim-witted with only the most primitive language ability after prolonged instruction by Hagrid. He is not hostile to wizards, but is hardly capable of assimilating into their society either.

The wizarding world has a similar “phobia” of werewolves. The werewolf Remus Lupin, who is briefly employed as a professor at Hogwarts, is a victim of widespread “prejudice.” He has been driven out of various jobs and even into poverty as he must flee from any less understanding employer who discovers his condition. Hogwarts is a more sympathetic environment where headmaster Dumbledore knows of his condition and accepts it as long as precautions are in place to prevent him from harming anyone. But even here, he is let go once his condition becomes public knowledge. This is portrayed as a sadly necessary concession to prejudiced parents.

The werewolf’s condition, though, really does turn him into a type of wolf at every full moon. Without a special potion to preserve his human personality, he will become a dangerous animal particularly inclined to attack humans and infect them with his condition. After neglecting to take the necessary potion one night, he even attacks Harry and Hermione. As with whites’ “bigoted” concerns about black neighborhoods and schools, wizards’ revulsion towards werewolves is based on an understandable concern for their own safety.

Although social justice themes such as “anti-racism” appear throughout her work, on some level J. K. Rowling and her fans must share many of the traditional Western values which they consciously hold in contempt. The fantasy series clearly reflects the fantasies of many readers, who imagine something different than the ostensibly race-denying, anti-elitist and individualist paradigm of the current year. Indeed, this must be part of the reason her work has been so wildly successful.

This entry was posted in North American New Right and tagged , , , , , , , , , . Both comments and trackbacks are currently closed.

3 Comments

  1. Dov
    Posted December 20, 2017 at 6:25 pm | Permalink

    “J. K. Rowling & Her Fans Still Have Traditional White Views”

    Perhaps. Some sanity may have inadvertently remained in the series, but she made every attempt to expunge commonsense attitudes. For instance, Rowling purposely refers to the antipathy toward including werewolves and giants in society (without institutionalized safeguards, anyway) as “prejudice” (inaccurately; it would be better characterized as postjudice), but – to my recollection – prescribes in her books no alternative to such reservations. The dress of the Death Eaters is meant to echo that of the Klan. Etc.

    I enjoyed the books as a kid. But knowing what I do now, I will not be buying them for my children.

  2. Anon
    Posted December 20, 2017 at 2:48 pm | Permalink

    For all her feminist posturing, she also likes machismo men like her Spanish ex-husband who used to hit her but she still married him and had a child with him and when she left him he followed her back to Scotland!

  3. KPD
    Posted December 20, 2017 at 5:43 am | Permalink

    Was this written before or after she tweeted that God is a black woman?

    https://twitter.com/jk_rowling/status/940934286252957696

    Kindle Subscription
  • Our Titles

    Return of the Son of Trevor Lynch's CENSORED Guide to the Movies

    Toward a New Nationalism

    The Smut Book

    The Alternative Right

    My Nationalist Pony

    The White Nationalist Manifesto

    Dark Right: Batman Viewed From the Right

    The Philatelist

    Novel Folklore

    Confessions of an Anti-Feminist

    East and West

    Though We Be Dead, Yet Our Day Will Come

    White Like You

    The Homo and the Negro, Second Edition

    Numinous Machines

    The World in Flames

    Venus and Her Thugs

    Cynosura

    North American New Right, vol. 2

    You Asked For It

    More Artists of the Right

    Extremists: Studies in Metapolitics

    Rising

    The Importance of James Bond

    In Defense of Prejudice

    Confessions of a Reluctant Hater (2nd ed.)

    The Hypocrisies of Heaven

    Waking Up from the American Dream

    Green Nazis in Space!

    Truth, Justice, and a Nice White Country

    Heidegger in Chicago

    The End of an Era

    Sexual Utopia in Power

    What is a Rune? & Other Essays

    Son of Trevor Lynch's White Nationalist Guide to the Movies

    The Lightning & the Sun

    The Eldritch Evola

    Western Civilization Bites Back

    New Right vs. Old Right

    Lost Violent Souls

    Journey Late at Night: Poems and Translations

    The Non-Hindu Indians & Indian Unity

    Baader Meinhof ceramic pistol, Charles Kraaft 2013

    Jonathan Bowden as Dirty Harry

    The Lost Philosopher, Second Expanded Edition

    Trevor Lynch's A White Nationalist Guide to the Movies

    And Time Rolls On

    The Homo & the Negro

    Artists of the Right

    North American New Right, Vol. 1

    Forever and Ever

    Some Thoughts on Hitler

    Tikkun Olam and Other Poems

    Under the Nihil

    Summoning the Gods

    Hold Back This Day

    The Columbine Pilgrim

    Confessions of a Reluctant Hater

    Taking Our Own Side

    Toward the White Republic

    Distributed Titles

    Reuben

    The Node

    A Sky Without Eagles

    The Way of Men

    The New Austerities

    Morning Crafts

    The Passing of a Profit & Other Forgotten Stories

    Asatru: A Native European Spirituality

    The Lost Philosopher

    Impeachment of Man

    Gold in the Furnace

    Defiance