Tag Archives: Ezra Pound

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Remembering Ezra Pound:
October 30, 1885 to November 1, 1972

Pound2698 words

“A slave is one who waits for someone else to free him.” — Ezra Pound

One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.

What is even more remarkable is the number of great 20th century figures who belong in our camp as well. Read more …

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Only the Gods Can Save Us:
A Review of Jason Jorjani’s Prometheus & Atlas

Jean-Simon Berthélemy, Prometheus Creating Man in the Presence of Athena, 1802

3,561 words

Jason Reza Jorjani
Prometheus and Atlas
London: Arktos Media, 2016

Editor’s Note: Andrew O’Donnell is a poet, writer, editor, and teacher. He edits his own poetry and metaphysical journal named The Fiend.

Prometheus.        . . . Know ye not me,
The Titan? He who made his agony Read more …

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Ezra Pound’s Jefferson and/or Mussolini

1,971 words

Ezra Pound
Jefferson and/or Mussolini
London: Stanley Nott Ltd., 1935

Ezra Pound liked his books charged with meaning. “Man reading should be man intensely alive. The book should be a ball of light in one’s hand,” he wrote in his Guide to Kulchur, another one of his, shall we say, B-Sides.

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Remembering Ezra Pound:
October 30, 1885 to November 1, 1972

Pound2691 words

“A slave is one who waits for someone else to free him.” — Ezra Pound

One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.

What is even more remarkable is the number of great 20th century figures who belong in our camp as well. Read more …

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Money for Nothing

2,947 words / 18:40

Audio version: To listen in a player, click here; to download the mp3, right-click here and choose “save link as”; to subscribe to our podcasts, click here.

Translations: CzechFrench, Greek, SpanishSwedish

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Remembering Ezra Pound:
October 30, 1885 to November 1, 1972

Pound2691 words

“A slave is one who waits for someone else to free him.” — Ezra Pound

One of the ongoing projects of the North American New Right is the recovery of our tradition. One does not have to go too far back before one discovers that every great European thinker and artist is a “Right Wing extremist” by today’s standards.

What is even more remarkable is the number of great 20th century figures who belong in our camp as well. Read more …

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Езра Паунд

5 830 думи

English original here

Бележка на редактора:

Като възпоменание по повод смъртта на Езра Паунд на 1-ви ноември, 1972 г., ние публикуваме глава 7 от “Artists of the Right: Resisting Decadence“ на Кери Болтън, публикувана от Counter-Currents.

“Роб е този, който чака някой друг да го освободи.”—Езра Паунд[1] Read more …

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Tiffany Thayer & the Fortean Fascists, Part 2

savoy-plaza-300x3004,584 words

Part 2 of 2

An Unexpected Party

The Fortean Society was founded on January 26, 1931, with a great fanfare of sounding brasses, tinkling cymbals, after-dinner speeches, and press releases. Thereafter the Society did practically nothing for six years.

Read more …

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Tiffany Thayer & the Fortean Fascists, Part 1

tt-with-pet-python-1930

T.T. with Pet Python, 1930
Circus Day Was Not Yet Over

2,062 words

Part 1 of 2

An unlikely linchpin of Postwar America’s Far Right was a slick-haired, grinning ad copywriter and ex-actor with the mad moniker of Tiffany Thayer (1902-1959). Thayer earned a handsome pile as scribe of radio jingles (Pall Mall cigarettes) and “meretricious bestsellers” (Time, May 26, 1956)—quite enough for an apartment on swank Sutton Place and a summer house on not-yet-swank Nantucket—but his most enduring legacy was likely his Fortean Society, Read more …

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In the House of Pound:
An Interview with Gianluca Iannone

1,277 words

QUIRINALE:FDI DAVANTI MONTECITORIO OFFRE PANE E MORTADELLAEditor’s Note:

I am reprinting Colin Liddell’s 2011 interview with CasaPound’s Gianluca Iannone because it has many things to teach our readers, particularly in North America, about metapolitics.

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