Tag Archives: Hollywood

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“Duke” Morrison as Metapolitical Icon John Wayne

4,924 words

The lighted pixels never go dark on John Wayne in the TV sphere. In the four decades since his passing, one can turn on a TV set at any time of day or night and there will be a John Wayne film being played on some channel.

When looking at John Wayne’s performances, many critics point out that John Wayne always plays John Wayne. However, he himself said, “That guy you see on the screen isn’t really me. Read more …

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Baked Alaska Goes Hollywood

1,841 words

“Welcome to the Jungle. Watch it bring you to your knees.”

It is fashionable to the point of cliché to liken someone’s downfall to Greek tragedy. But in the case of Baked Alaska and his Los Angeles adventures, it would not be appropriate to compare him to the classics. Read more …

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The (((Hollywood))) Question – Two Videos

215 words

These are two videos I have made that are connected by the theme of Hollywood. The first begins with an observation in Jared Taylor’s debate with black supremacist Tariq Nasheed in how black supremacists use the rhetoric of 1970s blaxploitation films to explain their situation, which is invariably one of being oppressed by the White Man. This I call “blaxplainin'”. Read more …

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Two New Poems

209 words

Charlie Manson (1934–2017)

1.
Well, Charlie Manson’s dead,
just like poor Sharon Tate.
Upon his wrinkled head
above his eyes, the fate,

of his tattooed Swastika
is certain, after so,
so many years. The shiksa,
pale as November snow,  Read more …

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Cultural Marxism & a Race-Mixing Agenda:
13 Reasons Why

2,233 words

13 Reasons Why, a novel by Jay Asher and now a Netflix original series, follows the trail left behind by the late Hannah Baker, a high school junior who committed suicide. She leaves behind thirteen tapes – each dedicated to a specific individual at her high school, each of whom served as the building blocks to her suicide. Read more …

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Pizza & a Movie:
Jay Dyer’s Esoteric Guide to Sex, Cults, & Videotape, Part Three

3,623 words

Part 3 of 3 (Part 1 here; Part 2 here)

Jay Dyer
Esoteric Hollywood: Sex, Cults and Symbols in Film
Walterville, Or.: Trine Day, 2016 Read more …

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Pizza & a Movie:
Jay Dyer’s Esoteric Guide to Sex, Cults, & Videotape, Part Two

2,718 words

Part 2 of 3 (Part 1 here)

Jay Dyer
Esoteric Hollywood: Sex, Cults and Symbols in Film
Walterville, Or.: Trine Day, 2016 Read more …

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Pizza & a Movie:
Jay Dyer’s Esoteric Guide to Sex, Cults, & Videotape, Part One

4,196 words

Part 1 of 3

Jay Dyer
Esoteric Hollywood: Sex, Cults and Symbols in Film
Walterville, Or.: Trine Day, 2016

“A film is a ribbon of dreams. The camera is much more than a recording apparatus; it is a medium via which messages reach us from another world that is not ours and that brings us to the heart of a great secret. Read more …

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The Academy Awards & the Presumption of Equality

OscarsSoWhite2,549 words

So far this year there has been a lot of chatter in the mainstream media about how, for the second year in a row, the Academy of Motion Picture Arts and Sciences did not nominate any blacks for its Academy Awards.

Read more …

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Ayn Rand, Before Capitalism

5,078 words

YoungRandEditor’s Note:

This essay was written in 2000 and published online at a long-defunct website. It contains some good ideas and good writing, so I believe it deserves to live again. 

“The capitalistic world is low, unprincipled and corrupt.”

—Ayn Rand, Journals of Ayn Rand

Read more …

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Barton Fink

barton_fink_ver21,768 words

There is little satisfying critical literature on the Coen brothers’ 1991 film Barton Fink. Most viewers are inclined to think that this is because the film is a pretentious, meaningless piece of crap. And Barton Fink is surely the most widely detested film by the Coens. The fact that it swept the 1991 Cannes Film Festival, winning the Palme d’Or, Best Director, and Best Actor (John Turturro) can simply be chalked up to French perversity and anti-Americanism. These people think Jerry Lewis is a genius, after all.  Read more …

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The Loved One

TheLovedOne1,455 words

The Loved One (1965) is my all-time favorite comedy. Based on a 1948 novel of the same name by Evelyn Waugh, The Loved One stands alongside Flannery O’Connor’s Wise Blood (the book and the movie) as a savagely on-target, dark comic satire on American Protestant civilization.

Both Waugh and O’Connor, of course, were Catholic. Read more …

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Marilyn et les Juifs

marilyn-monroe0012,680 words

English original here

Marilyn Monroe est l’une des nombreuses actrices non-juives qui tombèrent sous la domination d’une série de psychanalystes juifs, incluant, c’est bien connu, Ralph Greenson (né Romeo Greenschpoon) qui était son thérapeute lorsqu’elle commit ce qu’on pense être un suicide. Read more …

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Feminism versus Marriage in Virginia Van Upp’s Honeymoon in Bali (1939)

Honeymoon_in_Bali_film_poster3,816 words

Feminism is a major destructive force. Anti-male, anti-family, and anti-white, it is today a key ideological pillar of the ruling class. It is therefore necessary to look to the past in an attempt to identify healthy folkways associated with male-female relationships, sex, marriage, and family.

A 1939 romantic comedy called Honeymoon in Bali starring Scottish (or part-Scottish) American actor Fred MacMurray Read more …

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Race in the Early Films of D. W. Griffith

D. W. Grifith, January 22, 1875–July 23, 1948

D. W. Griffith, January 22, 1875–July 23, 1948

3,520 words

Silent film pioneer David Wark Griffith, a native Kentuckian of Anglo-Welsh descent called by Jewish film historian Ephraim Katz “The single most important figure in the history of American film, and one of the most influential in the development of world cinema as an art,” has long been lionized in racialist circles as pro-white because of his classic The Birth of a Nation (1915). Left-wing critics, in turn, project a lurid image of the director as a sort of satanic “racist.”

I watched a number of Griffith films, including several of his early shorts, to gauge for myself how well the ideological consensus accords with fact. Read more …

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Foreword to Trevor Lynch’s White Nationalist Guide to the Movies

LynchCover21,042 words

Editor’s Note: 

The paperback copies of Trevor Lynch’s White Nationalist Guide to the Movies arrived here Wednesday, and we are now shipping them out. The hardcovers take a little longer to print, but they will be here soon. Let us know if you want your copy signed. Order your copy today!

Read more …

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MGM As Dream Factory

MGM Studio Entrance2,242 words

Television, movies, pop music, video games, the Internet, radio—the media of mass communications—are the chief mechanisms that determine “public opinion.” Read more …

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Richard Burton: In from the Cold

3,501 words

For years nothing about Richard Burton attracted my attention to him more than to any other famous person. He appeared in many inferior films, but even his highly regarded ones—Look Back in Anger (1959-British), The Spy Who Came in from the Cold (1965), The Taming of the Shrew (1967-US-Italian), 1984 (1984)—were not among my favorites. Read more …

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Jean Seberg:
Eine weiße Liberale wird geschaffen

Jean Seberg als Jeanne d’Arc in „Die heilige Johanna“

4,736 words

Übersetzt von Deep Roots.

English original here

Am 20. Januar 2009 wurde der erste schwarze Präsident der Vereinigten Staaten in sein Amt vereidigt. Read more …

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Wer tötete Marilyn Monroe?

2,400 words

English original here

Übersetzt von Deep Roots

Das Original “Who Killed Marilyn Monroe?” erschien am 11. März 2011 bei Counter-Currents Publishing/North American New Right. Marilyn Monroe starb heute vor 49 Jahren, am 5. August 1962.  Read more …

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Goodbye Norma Jeane . . . 
Who Killed Marilyn Monroe?

2,338 words

Editor’s Note:

Marilyn Monroe died on August 5, 1962.

Translations: French, German

Marilyn Monroe is one of many Gentile actors who fell under the dominance of a string of Jewish psychoanalysts, Read more …

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Memorial Day Meditation on Manhood 
Humphrey Bogart:
Man Among the Cockroaches

3,096 words

“Bogart was a medium-sized man,” said John Huston. “Not particularly impressive off screen.” Put him on camera, however, and “those lights and shadows organized themselves into another nobler personality, heroic.”

Recently Andrew Hamilton wrote about “The Courage of Jodi Foster” on Greg Johnson’s Counter-currents blog, the courage in question being her outspoken standing by, if not exactly ‘supporting’, the always controversial Mel Gibson. Read more …

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The Courage of Jodie Foster

Jodie Foster & Mel Gibson

967 words

American actress-director-producer Jodie Foster has come under fire for not throwing her friend, Academy Award-winning actor-director Mel Gibson, under the bus. The two have known each other since they met on the set of Maverick (1994).

Gibson has been systematically hounded and maligned since he made the Christian motion picture The Passion of the Christ (2004). Read more …

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Die Christusmörder heute

3,178 words

Übersetzt von Deep Roots

English original here

Das Original „The Christ-Killers Today“ ist ein Essay in Michael Polignanos Buch Taking Our Own Side, das ich vor kurzem gelesen habe und sehr empfehlen kann. Read more …

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The Christ-Killers Today

3,109 words

March 12, 2004

This essay is from Michael Polignano’s book Taking Our Own Side, available in hardcover, paperback, and PDF download here.

German translation here

Read more …

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“The Most Scandalous Scandal Magazine in the History of the World” 
Robert Harrison & Confidential

3,209 words

Legendary Hollywood scandal magazine Confidential existed for only six years (1952–1958) before it was destroyed. But during that brief span it shook the mainstays of Jewish society: Hollywood, sexual deviance, homosexuality, Communism, organized crime, and miscegenation.

Read more …

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Jean Seberg:
The Making of a White Liberal

Jean Seberg as Joan of Arc in "Saint Joan"

4,642 words

German translation here

On January 20, 2009 the first black President of the United States was sworn into office. The man stumbled over the words of his inauguration oath and grinned. President Obama had been voted into office by 43% of the white electorate.

Read more …

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Mulholland Drive

1,709 words

David Lynch is the greatest director working today, one of the greatest of all time. Mulholland Drive is his latest film. It is one of his best. Those who took their grandmothers to see Lynch’s last film The Straight Story should not take them to Mulholland Drive, which most closely resembles Lynch’s Lost Highway. Like Lost Highway, Mulholland Drive is filled with sex, violence, decadence, and dark humor. Both films have almost unintelligible plots. Both are set in Los Angeles. Read more …

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