Tag Archives: postmodernism

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Deleuze, Guattari, & the New Right, Part 2

Deleuze-Guattari-53,479 words

“With Platonism, philosophy becomes a police operation.” Miguel de Beistegui[1]

The Affect of Truth

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Deleuze, Guattari, & the New Right, Part 1

DeleuzeGuattari

Left: Gilles Deleuze, 1925–1995; right: Félix Guattari, 1930–1992

2,847 words

“A creator is someone who creates their own impossibilities, and thereby creates possibilities.” – Gilles Deleuze[1]

It Begins with Nietzsche 

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Postmodernism, Hedonism, & Death

Bosch,_Hieronymus_-_The_Garden_of_Earthly_Delights,_right_panel_-_Detail-_Rabbit

Hieronymus Bosch, “The Garden of Earthly Delights,” right panel, detail

1,155 words

French translation here

“Postmodernism” is one of those academically fashionable weasel words like “paradigm” that have now seeped into middlebrow and even lowbrow discourse. Those of us who have fundamental and principled critiques of modernity quickly learned that postmodernism is not nearly postmodern enough. Read more …

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Giacinto Scelsi:
A Soundtrack for Radical Traditionalism

2,630 words

“Rome is the boundary between East and West. South of Rome, the East starts, and north of Rome, the West starts. This border-line now, runs exactly over the Forum Romanum. There’s my house, this explains my life and my music.” — Giacinto Scelsi

The music of Giacinto Scelsi is still relatively obscure, which is in keeping with the reclusive and esoteric character of the composer himself. Read more …

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Why Dark Shadows Sucks

3,548 words

I was a very small child when the Dark Shadows serial was first airing on ABC at 4:00pm Monday through Friday. Some of my most vivid early memories are associated with it. Dark Shadows was originally conceived as a Gothic romance. Premiering on June 27, 1966, it centered on Victoria Winters, a young woman who takes the job of governess to the young scion of the wealthy Collins family, who reside in the spooky Collinwood mansion in spooky Collinsport, Maine. Read more …

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Podcast No. 14 
Interview with Charles Krafft, Part 1

time: 56:15 / 7,643 words

Audio Version: To listen in a player, click here. To download the mp3, right-click here and choose “save link as.”

To subscribe to our podcasts, click here.

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Desafios Pós-modernos:
Entre Fausto & Narciso

5,503 words

Tradução: para o inglês por Greg Johnson
[Para o português pela Equipe Yrminsul]

Parte 1

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Pulp Fiction, Part 2

3,817 words

Part 2 of 2

Read Part 1 here

The Gold Watch

We first encounter boxer Butch Coolidge at the beginning of Part 3, “Vincent Vega and Marsellus Wallace’s Wife.” The setting is a tittie bar owned by Marsellus Wallace. Read more …

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Pulp Fiction

8,354 words

Parts 1 & 2; Czech translation here

Quentin Tarantino’s Pulp Fiction is one of my favorite movies. I didn’t want to like it. I didn’t even want to see it. Everything I’d heard made me think it would be thoroughly nihilistic and quite unpleasant. But then someone at a party described Pulp Fiction as a movie about “greatness of soul at the end of history,” and that caught my attention, Read more …

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Postmodern Challenges:
Between Faust & Narcissus, Part 3

Jean-Paul Sartre, 1905–1980

2,063 words

Part 3 of 3

Translated by Greg Johnson

The Babbitt with the Sartrean Paradox

In 1945, the tone of ideological debate was set by the victorious ideologies. We could choose American liberalism (the ideology of Mr. Babbitt) or Marxism, an allegedly de-bourgeoisfied version of the metanarrative. Read more …

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Postmodern Challenges:
Between Faust & Narcissus, Part 2

“Organisation Todt” by Kettler, circa 1933–1945

1,869 words

Part 2 of 3

Translated by Greg Johnson

The Encysted Metanarrative . . .

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Postmodern Challenges:
Between Faust & Narcissus, Part 1

The wise old Faust in FAUST (1926), directed by F. W. Murnau

1,760 words

Part 1 of 3

Translated by Greg Johnson

In Oswald Spengler’s terms, our European culture is the product of a “pseudomorphosis,” i.e., of the grafting of an alien mentality upon our indigenous, original, and innate mentality. Read more …

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