Part 1 of 2 (Part 2 here)
See also: “Colonel McCormick,” “America First 1939-1941,” “Wind Down the Empire of Nothing,” & “America’s Endless Wars” (more…)
Part 1 of 2 (Part 2 here)
See also: “Colonel McCormick,” “America First 1939-1941,” “Wind Down the Empire of Nothing,” & “America’s Endless Wars” (more…)
Brian C. Wilson
Yankees in Michigan
East Lansing: Michigan State University Press, 2008
If you have the chance, visit the Detroit Institute of Arts Museum. The Museum’s collection is brilliant, and contains some of the best art from around the world, including works from ancient Mesopotamia, Egypt, and Greece. This drives home the fact that no French or Italian art collector has scoured England, Australia, or Michigan for magnificent art. (more…)
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Part 1 of 2 (Part 2 here)
The United States has too many ongoing military deployments. There are unnecessary military bases in Syria, Somalia, South Korea, and Niger, to name the most egregious. A solid case can actually be made for the Americans to withdraw from NATO entirely. There have also been a number of pop deployments that have been made to prop up burdensome allies, such as the US Marines’ foray into Lebanon in 1983, to get the Israelis out of a jam they created for themselves. (more…)
Tyler Cowen & Daniel Gross
Talent: How to Identify Energizers, Creatives, and Winners Around the World
New York: St. Martin’s Press, 2022
The identification and proper allocation of talent is essential to the success of any organization. Hiring the wrong people is costly, especially for groups with limited capital. It would thus behoove White Nationalists to become amateur talent-spotters and students of human behavior. The book in question is a solid starting point. (more…)
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Stephen Paul Foster
After Harry Met Sally: A Novel of Philosophical Discovery
Independently published, 2021
I can still hear you saying
We would never break the chain. — Fleetwood Mac, “The Chain”
Readers who enjoyed last year’s Toward the Bad I Kept on Turning: A Confessional Novel — as I did here[1] — will have their winters brightened by news that it now has something of a sequel; which is to say, how it functions as a sequel is left to the reader as a pleasant discovery. (more…)
Do not believe the poster of this 1952 film. Do not. Wait ‘Till the Sun Shines, Nellie, isn’t the pleasant, bubbly, Technicolor singfest that is promised, although the song with all its nostalgic sentiment is there. Its appearances, however, evoke sadness and regret, much like old family photos tend to.
The action begins in the 1890s aboard a train chugging to Chicago, carrying Ben Harper (David Wayne) and Nellie (Jean Peters). (more…)
This article is not going to be political. It’s just an interesting anecdote. John Derbyshire at VDare has his story about how he was once an extra in a Bruce Lee movie. This is my Bruce Lee story; a pre-Dissident Right brush with history. I’m going to tell you about the time I used to live next door to a serial killer. (more…)
I don’t know where I first heard this joke:
“How do you keep 5 blacks from raping a white woman?” “Throw them a basketball.” (more…)
As an American, I find European theories about this country and its character intriguing (or amusing) — particularly those formed from intimate experience. Of course, such theories presuppose that there is and has been such a thing as “the American people,” or “ethny” from which to draw an assessment. I submit two, not quite antithetical, but competing European judgments about the United States. (more…)
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1,483 words
When I saw Blue Velvet and Twin Peaks, I was convinced that David Lynch is an essentially conservative and religious filmmaker, with a populist and mystical bent. Arguing that thesis was an uphill battle as his work got increasingly dark in the nineties. Many people interpreted Lynch’s portrayals of quirky, salt-of-the-Earth white Americans as parody, his mysticism as arbitrary weirdness, and his depictions of evil and violence as inconsistent with having a conservative and religious moral center. (more…)
There needs to be formal recognition of the genre of TV shows where the protagonists “walk the Earth.” The best explanation of these was given by Jules (Samuel L. Jackson) to his partner Vincent (John Travolta) in the film Pulp Fiction:
Jules: First, I’m going to deliver this case to Marsellus, then, basically, I’m just going to walk the Earth.
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Editor’s Note:
We are publishing the following piece on implicit whiteness in the Hockey Imperium to coincide with the Stanley Cup Finals.
The Landmark Deal
I had true modest heroes, well suited for a good life. (more…)