The Following is an excerpt from Blood, written between April and May 1992. It is part of a much longer discussion about art, where Bowden explores one of his favorite themes: the art of the radical Left versus the art of the radical Right. Read more …
A. R. D. Fairburn was born on February 2, 1904. Fairburn was a poet, painter, critic, essayist, and advocate of Social Credit, New Zealand Nationalism, and organic farming. In commemoration,we are publishing the following expanded version of Kerry Bolton’s essay on Fairburn. To read Fairburn’s magnificent poem “Dominion,” click here. Read more …
What follows are selections from Confessions of an Anti-Feminist: The Autobiography of Anthony M. Ludovici, ed. John V. Day, ch. 4, “My Education, II (1910–1916).” Read more …
James Abbott McNeill Whistler (1834–1903), "At the Piano," 1858–59
3,572 words
Editor’s Note:
Anthony M. Ludovici’s grandfather and father, Albert Ludovici, Sr. and Albert Ludovici, Jr. were celebrated and successful painters in England. Read more …
The Apes of God happens to be one of the most devastating satires to be published in the English language since the days of Dryden and Pope. It appeared in a Private Press edition (prior to general release), and at over 600 pages it was the size of your average London telephone directory. Read more …
We have been up all night, my friends and I, beneath mosque lamps whose brass cupolas are bright as our souls, because like them they were illuminated by the internal glow of electric hearts. And trampling underfoot our native sloth on opulent Persian carpets, we have been discussing right up to the limits of logic and scrawling the paper with demented writing.
Arno Breker (1900–1991) was the leading proponent of the neo-classical school in the twentieth century, but he was not alone by any stretch of the imagination. If we gaze upon a great retinue of his figurines, which can be seen assembled in the Studio at Jackesbruch (1941), Read more …
A. R. D. Fairburn, 1904–1957, is not usually identified with the “Right.” As a central figure in the development of a New Zealand national literature, much of the contemporary self-appointed literary establishment would wish to identify Fairburn with Marxism or liberalism, as were other leading literary friends of Fairburn’s such as the Communist R. A. K. Mason. Read more …
In a recent article on this site entitled “Violence and ‘Soft Commerce’” Dominique Venner spoke about leftist radicals being absorbed by the system which they affect to detest. He was referring in particular to the collected manuscripts of Guy Debord, the left-wing revolutionary and situationist, whose pabulum was recently saved for the national library by Chirac’s minister of culture.
Jonathan Bowden Apocalypse TV
London: The Spinning Top Club, 2007
Apocalypse TV was published in August 2007 by the Spinning Top Club. It runs to 239 pages and contains a pencil sketch of the author in the frontispiece or prelims by Michael Woodbridge. It is quite different to the other books which I have reviewed by this author — novels and plays, etc. . . . — by being directly non-fictional in character. Read more …
I would like to take this opportunity to respond to various postings which have been placed on the website ‘Stormfront’ in recent weeks. I would like to thank those people who have been supportive of my efforts. [. . .] Other correspondents have been less charitable however. [. . .] But amidst all of the silliness and abuse these people are contriving to make a serious point, and this is: the status of modern or modernist art.
Cultural Communism & the Inegalitarian Basis of All Genuine Art
2,122 words
Editor’s Note:
The Following is an excerpt from Blood, written between April and May 1992. It is part of a much longer discussion about art, where Bowden explores one of his favorite themes: the art of the radical Left versus the art of the radical Right. Read more …